"Avantgarde Vision" by Vladimir Genin, Roman Raithel had its release date on June 30, 2001. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Avantgarde Vision's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 31 in Abstract Images by Vladimir Genin, Roman Raithel, Geoff Bastow, Wolfgang H. Netzer, Ulrike Gruber, John Fiddy, David Arch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Avantgarde Vision is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Avantgarde Vision by Vladimir Genin, Roman Raithel is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tannhäuser, WWV 70, Act III: Allmächt'ge Jungfrau, hör mein Flehen! | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | ||
| Sonata for Cello and Piano in G minor, Op. 19: 3. Andante | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 74 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: V. Allegro molto | Béla Bartók, Belcea Quartet | G Major | 4 | 9B | 116 BPM | ||
| Liederkreis, Op. 39: No. 7, Auf einer Burg (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E♭ Major | 3 | 5B | 140 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 6 Romances, Op. 6: No. 5, Why? | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | B♭ Major | 1 | 6B | 84 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Bless the Lord, O my soul | Vladimir Genin | E Minor | 0 | 9A | 74 BPM | ||
| Interlude | Laura Marling | G Minor | 1 | 6A | 82 BPM | ||
| The Plaint of Andrei Bogolubski, Great Prince of Vladimir: VII. The Assassination of Prince Andrei | Vladimir Genin, Irina Snezhina, Анатолий Сафиулин, Eduard Markin, Vladimir Chamber Choir | A Minor | 1 | 8A | 77 BPM | ||
| Piano Quintet No. 1 "Margarete": I. Prelude and Chorale | Jim Aitchison, Roderick Chadwick, Kreutzer Quartet | E Major | 1 | 12B | 173 BPM | ||
| I Would Have Created a Paradise | Austin Wintory, Assassin's Creed | C Minor | 5 | 5A | 120 BPM | ||
| 虐め | SIE Sound Team, Yutaka Minobe | E♭ Minor | 1 | 2A | 81 BPM | ||
| The End of the World (Version for Soprano): Ⅱ. Grace of the St.Paul | Joe Hisaishi, Future Orchestra Classics | D♭ Major | 4 | 3B | 103 BPM | ||
| The Happening: An Event | James Newton Howard, Maya Beiser, Jean-Yves Thibaudet | G Minor | 1 | 6A | 87 BPM | ||
| Beskhu3epnm | Aphex Twin | A♭ Major | 0 | 4B | 136 BPM | ||
| Dove: Figures in the Garden: VII. Nocturne. Figaro and Susanna | Jonathan Dove, Antony Pay, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 81 BPM | ||
| Interlude I : Les danses sombres | Vladimir Genin | C Major | 1 | 8B | 89 BPM | ||
| De-Tuned Quartet | Jonny Greenwood | A Major | 4 | 11B | 136 BPM | ||
| Danse Sayyid (No. 26) | G. I. Gurdjieff, Thomas de Hartmann, Dietrich Bethge, Corinne Cordier, Herbert Lashner, Fernando Del Verme | G Minor | 2 | 6A | 74 BPM | ||
| Void Pulse | Astrid Voix | E Major | 1 | 12B | 173 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Sonata for Violin and Piano No. 1 in F Minor, Op. 80: I. Andante assai | Sergei Prokofiev, Gidon Kremer, Martha Argerich | A♭ Major | 0 | 4B | 97 BPM | ||
| O Magne Pater | Hildegard von Bingen, Marianne Piketty, Le Concert Idéal | G Major | 0 | 9B | 70 BPM |