Austin Wintory, Assassin's Creed's 'I Would Have Created a Paradise' had a release date set for October 23, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 34 out of 36 in Assassin's Creed Syndicate (Original Game Soundtrack) by Austin Wintory. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, I Would Have Created a Paradise's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of I Would Have Created a Paradise by Austin Wintory, Assassin's Creed is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Ancient Language (Main Theme) | Laurence Chapman | D Minor | 8 | 7A | 100 BPM | ||
| Tracking the Prey | Lorne Balfe | D♭ Major | 8 | 3B | 135 BPM | ||
| End Titles: The Last Guardian Suite | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| Enough for One Life | Lorne Balfe, Assassin's Creed | G Minor | 2 | 6A | 78 BPM | ||
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| Golden Ratio | Jessica Curry | D Minor | 1 | 7A | 137 BPM | ||
| Kirkwall Nights | Inon Zur | A♭ Major | 4 | 4B | 75 BPM | ||
| Omen | SIE Sound Team | B♭ Major | 1 | 6B | 130 BPM | ||
| For Blood, for Glory, for Honor | Jeremy Soule | C Minor | 5 | 5A | 150 BPM | ||
| Dishonored 2 Main Theme | Daniel Licht | C Minor | 3 | 5A | 141 BPM | ||
| Hanging Gardens | SIE Sound Team, Takeshi Furukawa | G Major | 1 | 9B | 68 BPM | ||
| Enter the Catacombs | Cris Velasco, Assassin's Creed | G Major | 3 | 9B | 114 BPM | ||
| Abstergo Industries | Lorne Balfe, Assassin's Creed | D♭ Minor | 6 | 12A | 156 BPM | ||
| We Call Upon the Watchman | Mickymar Productions Ltd | F Minor | 5 | 4A | 82 BPM | ||
| I'll Be with You | Brian Tyler, Assassin's Creed | B♭ Major | 3 | 6B | 84 BPM | ||
| Odin vs. The Elderstahl | Stephanie Economou, Assassin's Creed | G Major | 7 | 9B | 92 BPM | ||
| Stellar Bay | Justin E. Bell | A Minor | 2 | 8A | 81 BPM | ||
| Woedica | Justin Bell | E Minor | 2 | 9A | 133 BPM | ||
| Little White Lie | Jessica Curry | G Minor | 0 | 6A | 117 BPM | ||
| Fight or Flight | Jesper Kyd | G Major | 6 | 9B | 132 BPM | ||
| Bloodborne | SIE Sound Team | G Major | 4 | 9B | 164 BPM | ||
| The Island | David García Díaz | G Minor | 3 | 6A | 66 BPM | ||
| The Shepherd | Piotr Musiał | A Minor | 3 | 8A | 85 BPM | ||
| A Happy Family | The Flight, Mike Georgiades | A Minor | 1 | 8A | 80 BPM | ||
| Love Scene | Inon Zur | F♯ Minor | 2 | 11A | 81 BPM |