"Lydia" by Michele Fattori, Marcello Sebastiani had its release date on November 16, 2023. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Michele Fattori, Marcello Sebastiani's "GAVAGAI" album is number 8 out of 10. On top of that, Italy appears to be the country where this track was created. The popularity of Lydia is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lydia by Michele Fattori, Marcello Sebastiani to be Presto (very, very fast) because the track has a tempo of 182 BPM, a half-time of 91BPM, and a double-time of 364 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: I. Andante | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
| Suite in F Major: IV. Sarabande | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | E♭ Minor | 1 | 2A | 114 BPM | ||
| Symphony in D Major: II. Andantino | Samuel Wesley, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 82 BPM | ||
| Marais: Suite en si: I. Prélude (Transcr. Rondeau pour clavecin) | Marin Marais, Jean Rondeau | E♭ Major | 2 | 5B | 135 BPM | ||
| Concerto for 2 Oboes and Bassoon in C Minor, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Marcel Ponseele, Taka Kitazato, Alain De Rijckere, Il Gardellino | B Minor | 2 | 10A | 96 BPM | ||
| Concerti a cinque Op. 9 for oboe and strings, Concerto No. 5 in C major: I. Allegro | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | B Major | 2 | 1B | 96 BPM | ||
| Concerto Armonico No. 1 in G Major: Un poco andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 103 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: III. [...] - Adagio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Mystery Sonata No. 5 "The 12-Year-Old Jesus in the Temple": II. Allaman | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | D♭ Minor | 2 | 12A | 94 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Oboe Concerto in F Major: II. Larghetto | Johann Christian Bach, Amsterdam Bach Soloists, Han De Vries | C Major | 1 | 8B | 110 BPM | ||
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Pannonica | Marcello Sebastiani, Michele Fattori | B♭ Major | 1 | 6B | 110 BPM | ||
| Concerto In D Major, Op. 26, No. 6: 2. Largo | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 97 BPM | ||
| Concerto In C Minor for Alto Recorder & Strings, P 440: Largo | Thierry Perenoud, The Baroque Soloists Of Amsterdam | E Minor | 0 | 9A | 130 BPM | ||
| Flute Concerto in F Major, RV 434: II. Largo cantabile | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Karel Valter | D♭ Minor | 2 | 12A | 94 BPM | ||
| Musique de table, Pt. I, Quartet in G Major, TWV 43:G2: I. Largo - Allegro - Largo | Georg Philipp Telemann, Orchestra of the Golden Age | F♯ Major | 0 | 2B | 105 BPM | ||
| Overture in the French Style - Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini | Rinaldo Alessandrini, Johann Sebastian Bach, Concerto Italiano | F♯ Major | 3 | 2B | 89 BPM | ||
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Aria | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | D♭ Minor | 2 | 12A | 94 BPM | ||
| Couperin, L: Suite en la: V. Sarabande, G. 109 | Louis Couperin, Jean Rondeau | E♭ Major | 4 | 5B | 90 BPM | ||
| 18 Sonatas, Op. 2: No. 18, La Savorgniana | Giovanni Legrenzi, Accademia dell'Annunciata, Riccardo Doni | D♭ Minor | 2 | 12A | 94 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Couperin, F: L'apothéose de Lully: La paix du Parnasse: I. Sonade en trio | François Couperin, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 2 | 12A | 94 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM |