V. K. Raman's ' "Tillana Mand" was released on its scheduled release date, May 5, 2025. This song is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Singing Bamboo (Flute)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. In terms of popularity, Tillana Mand is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tillana Mand by V. K. Raman having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Endendu Ninna Paadave | Sheshagiridas Raichur | A Major | 6 | 11B | 98 BPM | ||
| Srinivasa: Hamsanandi - Papanasam Sivan | Papanasam Sivan, N. Ramani | B Major | 1 | 1B | 121 BPM | ||
| Thaye Yesoda - Flute | N. Ramani | A♭ Major | 4 | 4B | 157 BPM | ||
| Rama Lali Ghana Shyama Lali | Splendor of Meditation, V. K. Raman | F Major | 2 | 7B | 66 BPM | ||
| Bhagyada Lakshmi - Madhyamavathi - Adi | Vittal Ramamurthy | E Major | 5 | 12B | 81 BPM | ||
| Ayye Metha Kadinam | Sivasri Skandaprasad | D♭ Major | 7 | 3B | 180 BPM | ||
| Kaaye Sri Harijaaye | Puttur Narasimha Nayak | D♭ Major | 6 | 3B | 90 BPM | ||
| Shanivaara Banthamma | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | A Major | 5 | 11B | 122 BPM | ||
| Legara Sambayya | Dappu Srinu | B♭ Major | 9 | 6B | 109 BPM | ||
| Malagi Paramaadaradi | Vidyabhushana | G Major | 4 | 9B | 180 BPM | ||
| SHIRDI YIL VAALUM SAI BABA | AGNEE GANESH, IDHAYAM MUSICALS | D♭ Minor | 3 | 12A | 142 BPM | ||
| Hanuman Chalisa Telugu | BhaktiVani-shree | G Minor | 3 | 6A | 108 BPM | ||
| Enu Punyava Maadi | Roopa Shree H S | B♭ Minor | 6 | 3A | 129 BPM | ||
| लिंगाष्टकम | Sasidhar Darla | A Minor | 4 | 8A | 120 BPM | ||
| Vishwanatha Swami | RG Sarathee, Kayani Srinivas, Dr. Radhagopee | C Major | 5 | 8B | 105 BPM | ||
| Omkaara Roopa (From "Abhishekam") | Parupalli Ranganath | F♯ Major | 6 | 2B | 125 BPM | ||
| Namo Datta | Sri Ganapathy Sachchidananda Swamiji | E Minor | 3 | 9A | 91 BPM | ||
| Vaara Banthamma Guruvara Banthamma | V. K. Raman | C Major | 4 | 8B | 174 BPM | ||
| Pruthviya Nalegelade Appuvilla | P. Rama, Chandrika | A♭ Major | 5 | 4B | 137 BPM | ||
| Ramachandra Bhavayami | Karaikudi Subramaniam & Trichy Sankaran | E Major | 2 | 12B | 171 BPM | ||
| Varasiddi Vinayaka Kalyanam | Vijayamani sarma, B.Ramana | C Minor | 4 | 5A | 100 BPM | ||
| Sarasasamadhana | N. Ramani | E♭ Major | 6 | 5B | 137 BPM | ||
| Vrindavanave Mandiravagihe | Roopa Shree H S | A♭ Major | 3 | 4B | 159 BPM | ||
| Sri Lalitha Harathi | Indraganti Radha Devi | C Minor | 4 | 5A | 145 BPM | ||
| Ayya Darshanam Swamy Ayya Darshanam | K. J. Yesudas | C Major | 4 | 8B | 113 BPM |