On March 20, 1995, the song "Kamariya Daaba A Balma" was released by Tara Rani. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Tara Rani's "Manwa Ke Raja" album is number 1 out of 8. On top of that, India appears to be the country where this track was created. Kamariya Daaba A Balma is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kamariya Daaba A Balma by Tara Rani to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ja Rahi Hai Mohabbat Ki Maiyat | Shahid Ali Khan | A♭ Major | 8 | 4B | 155 BPM | ||
| Dhokhebaaz Rajau | Karina Pandey | D♭ Major | 8 | 3B | 101 BPM | ||
| Nazariya Band Kar Ke | Sapna Awasthi | F♯ Major | 4 | 2B | 100 BPM | ||
| Sun Charkhe De Mitthi (Medley) | Saleem | F Major | 9 | 7B | 82 BPM | ||
| Milta Hai Kya Namaz Mein | Amjad Sabri | B Major | 10 | 1B | 103 BPM | ||
| Jija Byau Na Byah Hamaro | JaiSingh Raja, Roshani Patel | F♯ Major | 8 | 2B | 138 BPM | ||
| Radhika Gouri Se | Manish Tiwari | A♭ Major | 7 | 4B | 83 BPM | ||
| Mera Kad Sankat Kaatega | Narender Kaushik | B♭ Major | 8 | 6B | 134 BPM | ||
| Mitran Ton Reh Bachke | Balkar Ankhila, Manjinder Gulshan | B♭ Minor | 10 | 3A | 120 BPM | ||
| Anaadi Nirgun Pragatali Bhavani | Sachidanand Appa | C Major | 6 | 8B | 93 BPM | ||
| Dabun Baghtoy Chiku | Anand Shinde, Sulochna Chauhaan | G Minor | 6 | 6A | 92 BPM | ||
| Kehri Galti Hoi Ae Zalim | Mansoor Ali Malangi | D Major | 9 | 10B | 108 BPM | ||
| CHORI CHORI MAKHAN | Nitin Devka | B Minor | 8 | 10A | 58 BPM | ||
| Hum Hi Tara Rani | Tara Rani | B♭ Minor | 5 | 3A | 99 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Kaali Deh Pe Khelan Aayo | Anjali Jain, Shailendra Jain | G Major | 6 | 9B | 135 BPM | ||
| Champa Chamelie | Dewindersingh Sewnath | G Major | 8 | 9B | 85 BPM | ||
| Sherowali Ki Jai Bolo | Lakhbir Singh Lakkha | F♯ Minor | 10 | 11A | 146 BPM | ||
| Phir Raat Kati | Sukhwinder Singh, Sunidhi Chauhan | G Major | 6 | 9B | 130 BPM | ||
| Mohabbat Mein Kuchhuo | Tara Rani | B Major | 5 | 1B | 72 BPM | ||
| Tola Aise Rangahu Turi Fagun Ma | Nilkamal Vaishnav | F Minor | 9 | 4A | 120 BPM | ||
| Tohre Khatir Na | Tara Rani | B Major | 8 | 1B | 122 BPM | ||
| Babo Panchrang Penchadhari | Gopal Bajaj | D♭ Major | 6 | 3B | 100 BPM | ||
| Mori Akal Gai Mari | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM | ||
| Dhire Se daro Raja | Jaysingh raja, Doli Rajpoot | F♯ Major | 6 | 2B | 82 BPM |