Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra's ' "Tsar Saltan, Op. 57: Flight of the Bumblebee" was released on its scheduled release date, August 14, 1995. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Rimsky-Korsakov: Scheherazade / Flight Of The Bumblebee". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Tsar Saltan, Op. 57: Flight of the Bumblebee is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tsar Saltan, Op. 57: Flight of the Bumblebee by Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Carmina Burana: VIII. Chramer, gip die varwa mir | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | G Major | 0 | 9B | 146 BPM | ||
| L'Arlésienne Suite No. 1, Op. 23bis, WD 40: IV. Carillon | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 10 | 4B | 136 BPM | ||
| Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
| 4 Impromptus, D. 899 (Op. 90): No. 4 in A-Flat Major. Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
| Sorochinsky Fair: Gopak | Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar | G Major | 1 | 9B | 135 BPM | ||
| 10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | G Minor | 2 | 6A | 67 BPM | ||
| Giselle: Act I - Overture | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 0 | 5B | 83 BPM | ||
| Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
| The Blue Danube Waltz, Op. 314 | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
| Prince Igor: Polovtsian Dances | Alexander Borodin, Choeur Des Jeunes, Lausanne, Choeur De Radio, Lausanne, Orchestre de la Suisse Romande, Ernest Ansermet | D Major | 1 | 10B | 90 BPM | ||
| Giselle: No. 7a - Moderato; Allegro moderato; Viva | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | E Major | 0 | 12B | 119 BPM | ||
| Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
| Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt) | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | A Minor | 1 | 8A | 81 BPM | ||
| St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
| Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
| Jazz Suite No. 2: IV. Waltz I | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Carmen: Prélude | Georges Bizet, London Symphony Orchestra, Claudio Abbado | D Minor | 3 | 7A | 115 BPM |