On December 26, 2000, the song "Hothva Chusla Pamith Lagela" was released by Tara Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Choosla Pa Meeth Lagela by Tara Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Hothva Chusla Pamith Lagela's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hothva Chusla Pamith Lagela by Tara Rani is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Duniya Teri Chhod Chala | Attaullah Khan | E Major | 6 | 12B | 125 BPM | ||
| Laagta Bhula Gayilu | MANOJ TIWARI | F♯ Minor | 6 | 11A | 156 BPM | ||
| Tufanatale Dive Aamhi Tufanatale Dive | Vijayanand Jadhav | E♭ Major | 5 | 5B | 110 BPM | ||
| Mahi Sawan Aarayi | Talib Hussain Dard | A♭ Minor | 9 | 1A | 95 BPM | ||
| Mitran Ton Reh Bachke | Balkar Ankhila, Manjinder Gulshan | B♭ Minor | 10 | 3A | 120 BPM | ||
| Oh Mere Pyare Bail | Kishore Kumar | E♭ Minor | 5 | 2A | 108 BPM | ||
| O Dardan Waari Dil | Mumtaz Lashari | E Minor | 8 | 9A | 109 BPM | ||
| Kajrare Tere Mote - Mote | Baba Rasika Pagal | F♯ Major | 7 | 2B | 170 BPM | ||
| Najar Kite Na Lag Jawe | Muhammad Sadiq, Ranjit Kaur | A♭ Major | 6 | 4B | 113 BPM | ||
| Tohre Khatir Na | Tara Rani | B Major | 8 | 1B | 122 BPM | ||
| Aaj Mara Mandiriya Ma | Utpal Jivrajani, Nidhi Dholakia | F Minor | 7 | 4A | 90 BPM | ||
| Mujhko Dafna Kar Woh Jab | Shahid Ali Khan | F♯ Major | 6 | 2B | 165 BPM | ||
| Thai To Sacha Ho Tap Dhari | Moinuddin Manchala | F♯ Major | 9 | 2B | 96 BPM | ||
| Nao Hai Lambe | Kamla Rathore, Ramkripal Rai, Geeta | F♯ Minor | 9 | 11A | 125 BPM | ||
| Yeh Galiyan Yeh Chaubara - Jhankar Beats | Lata Mangeshkar, Hero And King Of Jhankar Studio | A Minor | 9 | 8A | 172 BPM | ||
| Tussi Khatu Dil Naal Jaande Ho | Kanhiya Mittal | G Minor | 5 | 6A | 85 BPM | ||
| Rasta Chod Mantri Ji Ke Gaadi Aavta | MANOJ TIWARI | F♯ Major | 6 | 2B | 107 BPM | ||
| Chaalo Re Chaalo Ramdev Re | Gopal Bajaj | A♭ Major | 5 | 4B | 90 BPM | ||
| Dhanya Vah Ghar Hi Hai Ram Navami Special Bhajan | Chandra Bhushan Pathak | F♯ Major | 6 | 2B | 101 BPM | ||
| Chennappa Chenne Gowda | B.K. Sumitra, Kasturi Shankar, Manjula Gururaj, Bangalore Sisters | F♯ Major | 9 | 2B | 197 BPM | ||
| Jeth Chhada Nitt Laindai Pange | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Gouri Ke Nanda Gajannad -7 | Prakash Mali | D Minor | 8 | 7A | 101 BPM | ||
| Ninnanthagabeku | C. Ashwath | D♭ Major | 4 | 3B | 83 BPM | ||
| Appa Dowey | Hans Raj Hans | E Minor | 9 | 9A | 88 BPM | ||
| Sar..R.R Fava Fava, Tilae Dharu Boula | Narender Singh Negi, Santosh, Kalpana Patowary, Rajju | F Major | 6 | 7B | 138 BPM |