"Sublime State" by Rael Jones had its release date on May 1, 2011. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Sublime State's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 21 in Cinematic Beauty by Ruth Barrett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sublime State's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sublime State by Rael Jones is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miss Audrey and Ladieswear | Mario Malagnini | F Major | 1 | 7B | 101 BPM | ||
| A Thousand Apologies | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| The End Of A Dream | Daniel Pemberton | E Minor | 2 | 9A | 64 BPM | ||
| A Guilded Cage | Guy Farley | B♭ Minor | 0 | 3A | 130 BPM | ||
| Circular Argument | Peter Gregson, Rael Jones | F Minor | 3 | 4A | 86 BPM | ||
| Love Story | Samuel Sim | D Major | 1 | 10B | 50 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| The Last Airbender | James Newton Howard, Jean-Yves Thibaudet | A Minor | 1 | 8A | 96 BPM | ||
| The Lost Child Orchestral Suite | Mark McKenzie | D Major | 1 | 10B | 68 BPM | ||
| Bleed You Dry | Rael Jones, Anthony Weeden | E Minor | 0 | 9A | 114 BPM | ||
| Desert Breezes | Grant Kirkhope, The City of Prague Philharmonic Orchestra | C Major | 1 | 8B | 117 BPM | ||
| Rest Easy | Paul Mottram | C Major | 2 | 8B | 76 BPM | ||
| Main Titles | Alex Heffes | D Minor | 1 | 7A | 110 BPM | ||
| Cenerentola - Main Title | Andrea Guerra | C Major | 2 | 8B | 129 BPM | ||
| The Dressmaker Closing Credits | David Hirschfelder | D Minor | 1 | 7A | 74 BPM | ||
| Easter Sunday | Harry Gregson-Williams, Rupert Gregson-Williams | A Minor | 0 | 8A | 111 BPM | ||
| En amour | Gabriel Yared | E♭ Major | 0 | 5B | 84 BPM | ||
| Colin Gets Up | Dario Marianelli | F♯ Minor | 3 | 11A | 99 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| Brideshead Revisited: No. 20, Near Escape | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | E Minor | 1 | 9A | 79 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Christmas | Rael Jones | C Minor | 2 | 5A | 74 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM |