- BPM
- 136
- Key
- F♯ Minor
- Camelot
- 11A
Le roi s'amuse: Scene du bouquet by Léo Delibes, Slovak Philharmonic, Ondrej Lenard Song Details
"Le roi s'amuse: Scene du bouquet" by Léo Delibes, Slovak Philharmonic, Ondrej Lenard had its release date on November 6, 1990. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 21 in Delibes: Best of French Ballet by Léo Delibes. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Le roi s'amuse: Scene du bouquet's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Le roi s'amuse: Scene du bouquet by Léo Delibes, Slovak Philharmonic, Ondrej Lenard is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 13%
- Loudness
- -29.912 dB
- Acousticness
- 99%
- Danceability
- 16%
- Energy
- 3%
- Instrumentalness
- 76%
- Liveness
- 8%
- Loudness
- 50%
- Speechiness
- 5%
- Valence
- 15%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rêverie | Robert Schumann, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | F Major | 1 | 7B | 86 BPM | |
 | Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | |
 | Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | |
 | Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | |
 | Callirhoé, suite de ballet: IV. Pas des cymbales | Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland | G Major | 1 | 9B | 134 BPM | |
 | Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 64 BPM | |
 | Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | |
 | The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | |
 | Peer Gynt - Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Libor Pešek, Slovak Philharmonic | F Major | 1 | 7B | 108 BPM | |
 | Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | |
 | Concerto for Piano & Orchestra No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Libor Pešek, Slovak Philharmonic, Marian Pivka | A Major | 4 | 11B | 126 BPM | |
 | Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | |
 | St. Paul's Suite, Op. 29 No. 2: IV. Finale, "the Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | D♭ Major | 0 | 3B | 66 BPM | |
 | Piano Concerto in A Minor, Op. 7: Finale. Allegro non troppo - Allegro molto | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM | |
 | Debussy: Petite suite, CD 71, L. 65: II. Cortège (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | E Major | 1 | 12B | 90 BPM | |
 | Sicilienne, Op. 78 (arr. for flute and harp) | Donald Sosin, Gabriel Fauré, Nora Shulman, Judy Loman | B♭ Major | 1 | 6B | 153 BPM | |
 | Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | |
 | Coppélia, Tableau 1: No. 1 Valse | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | |
 | Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | |
 | The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM | |
 | Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
| Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | E♭ Major | 0 | 5B | 128 BPM | |
 | Coppelia: Act II - Valse de la poupee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 87 BPM | |
 | Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | E Major | 1 | 12B | 71 BPM |
- ISRC
- HKI199319916
- Label
- L-M Records/RCA Records