"Forsythia" by Cliff Martinez had its release date on September 6, 2011. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Forsythia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 20 in Contagion (Original Motion Picture Soundtrack) by Cliff Martinez. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Forsythia is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Forsythia by Cliff Martinez is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacrifice | The Prestige | A Minor | 1 | 8A | 84 BPM | ||
| Running | Clinton Shorter | B♭ Major | 2 | 6B | 116 BPM | ||
| Walkie Talkie | Marco Beltrami, Brandon Roberts | E Minor | 1 | 9A | 89 BPM | ||
| Towers | Alexandre Desplat | C Minor | 0 | 5A | 72 BPM | ||
| Into the Airport Hallucination | Max Richter | G Major | 0 | 9B | 156 BPM | ||
| Picket Lines | Alexandre Desplat | D♭ Major | 1 | 3B | 172 BPM | ||
| Chrysanthemum Complex | Cliff Martinez | C Minor | 3 | 5A | 105 BPM | ||
| Angel of Verdun (Main Title) | Christophe Beck | G Major | 2 | 9B | 118 BPM | ||
| Gennady Drop In | Paul Leonard-Morgan | B Major | 6 | 1B | 105 BPM | ||
| Macmillan Utility | Paul Haslinger | D Minor | 3 | 7A | 102 BPM | ||
| Night | John Carpenter | C Minor | 3 | 5A | 95 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Dark Void | Network Music Ensemble | G Major | 2 | 9B | 140 BPM | ||
| I Think I Should Start At The Beginning | David Wingo | G Major | 1 | 9B | 144 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Tonya Suite | Peter Nashel | A Minor | 4 | 8A | 115 BPM | ||
| The Man From The Alarm Company | Jason Hill | C Major | 1 | 8B | 127 BPM | ||
| I Offered Him Money | Nicholas Britell | D Major | 2 | 10B | 72 BPM | ||
| Aaron's Debt | Shane Carruth | D♭ Minor | 0 | 12A | 135 BPM | ||
| The Crown Prince's Speech | Henry Jackman, Dominic Lewis | G Minor | 3 | 6A | 120 BPM | ||
| Reap & Sow | Harry Gregson-Williams | C Minor | 1 | 5A | 160 BPM | ||
| Initiate The Tow | Henry Jackman | D Major | 4 | 10B | 100 BPM | ||
| Coming Up | Paul Leonard-Morgan | D Major | 4 | 10B | 105 BPM | ||
| Complex Assassinations | Ben Frost | F♯ Minor | 5 | 11A | 120 BPM | ||
| Thus Speak Thack The Wise | Cliff Martinez | E Minor | 4 | 9A | 68 BPM |