Kurt Weill, Tony Dalli, Roland Shaw & His Orchestra's 'Mack the Knife' had a release date set for September 10, 2020. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tony Dalli, Roland Shaw & His Orchestra's "I (Who Have Nothing)" album is number 3 out of 12. Based on our statistics, Mack the Knife's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Mack the Knife by Kurt Weill, Tony Dalli, Roland Shaw & His Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
| Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | E Major | 1 | 12B | 79 BPM | ||
| Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
| Jealousy - 1990 - Remaster | Yehudi Menuhin, Max Harris, Stéphane Grappelli, The Alan Clare Trio | D Major | 4 | 10B | 72 BPM | ||
| Ein Sommernachtstraum (A Midsummer's Night Dream): IV. Lied mit Chor "Bunte Schlangen, zweigezüngt!" | Felix Mendelssohn, Orchestre des Champs-Élysées, Collegium Vocale Gent, Delphine Collot, Sandrine Piau, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 98 BPM | ||
| Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
| Wenn ich ein Vöglein wär, Op. 43, No. 1 | Robert Schumann, Barbara Bonney, Angelika Kirchschlager | E Minor | 1 | 9A | 73 BPM | ||
| Aufstieg und Fall der Stadt Mahagonny: Alabama-Song | Kurt Weill, Ute Lemper, RIAS Kammerchor, John Mauceri | F Minor | 2 | 4A | 80 BPM | ||
| Emily — No Prisoner Be: No. 12, I tie my Hat - I crease my Shawl | Kevin Puts, Time For Three, Joyce DiDonato | B♭ Major | 1 | 6B | 101 BPM | ||
| Messa di Gloria: Agnus Dei | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
| Bizet: Les pêcheurs de perles, WD 13, Act 1: "Je crois entendre encore" (Nadir) | Georges Bizet, Pierre Dervaux, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | A Minor | 1 | 8A | 88 BPM | ||
| Poulenc: Banalités, on Poems by Guillaume Apollinaire, FP 107: II. Hôtel, "Ma chambre a la forme d'une cage" (Très calme et paresseux) | Francis Poulenc, Véronique Gens, Roger Vignoles | D Major | 0 | 10B | 102 BPM | ||
| Der Morgenchoral des Peachum (1.Akt) (Jonathan Jer | Bertolt Brecht, Kurt Weill | G Minor | 2 | 6A | 76 BPM | ||
| Alabama song | Bertolt Brecht | A♭ Minor | 2 | 1A | 79 BPM | ||
| Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
| Die Dreigroschenoper: Akt III, Das Lied von der Unzulänglichkeit ("Der Mensch lebt durch den Kopf") | Kurt Weill, Willy Trenk-Trebitsch, Wolfgang Grunert, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 72 BPM | ||
| September Song | Manderson, Kurt Weill, Walter Huston | G Major | 2 | 9B | 80 BPM | ||
| Vier letzte Lieder: 1. Frühling | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 0 | 10B | 98 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
| Winterreise, D. 911 Op. 89: I. Gute Nacht | Franz Schubert, Rosemary Standley, Ensemble Contraste, Arnaud Thorette, Johan Farjot | G Minor | 2 | 6A | 117 BPM | ||
| Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | D♭ Minor | 6 | 12A | 122 BPM | ||
| Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
| Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 1 | 8B | 124 BPM | ||
| Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM |