"Dhammapada 2" by Ronald Corp, Anonymous, Apsara had its release date on January 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 17 in Corp: dhammapada by Ronald Corp. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Dhammapada 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dhammapada 2 by Ronald Corp, Anonymous, Apsara is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Jester at the Wedding: I. March, "The Princess arrives March" | Eric Coates, John Wilson, BBC Philharmonic | G Major | 1 | 9B | 132 BPM | ||
| Tabarinage | Robert Docker, New London Orchestra, Ronald Corp | D Major | 2 | 10B | 145 BPM | ||
| The Carousel Waltz (Arr. Walker) | Richard Rodgers, New London Orchestra, Ronald Corp | D Major | 2 | 10B | 105 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): I. My Ship: Andante misterioso | Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 73 BPM | ||
| Dolly Suite, Op. 56 (Orch. Rabaud): V. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
| Gayaneh: Gayaneh's Adagio | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 0 | 4B | 82 BPM | ||
| Mein Teddybär, Polka | Johann Wilhelm Ganglberger, Laurence Perkins, New London Orchestra, Ronald Corp | F Major | 2 | 7B | 88 BPM | ||
| Parade: V. Acrobates | Erik Satie, Ronald Corp, New London Orchestra | E♭ Major | 2 | 5B | 113 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| The Runaway Girl: Soldiers in the Park "Oh, Listen to the Band" | Lionel Monckton, New London Orchestra, Ronald Corp | C Major | 3 | 8B | 135 BPM | ||
| Ethiopia's Shadow in America: II. His Resignation and Faith | Florence Beatrice Price, Chineke! Orchestra, Leslie Suganandarajah | A Major | 1 | 11B | 72 BPM | ||
| 4 Scottish Dances, Op. 59: No. 3. Allegretto | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | F Major | 0 | 7B | 141 BPM | ||
| Indigo und die vierzig Räuber: Ouvertüre | Johann Strauss II, Wiener Philharmoniker, Yannick Nézet-Séguin | D Major | 1 | 10B | 141 BPM | ||
| The Seasons, Op. 67: IV. Petit Adagio | Alexander Glazunov, Yevgeny Svetlanov, Philharmonia Orchestra | F♯ Major | 0 | 2B | 71 BPM | ||
| Theatreland | Jack Strachey, Ronald Corp, New London Orchestra | C Major | 3 | 8B | 135 BPM | ||
| Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
| Parade: VI. Final | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | A Major | 1 | 11B | 100 BPM | ||
| Piano Concerto No. 2 in A-Flat Major, H. 31: II. Poco adagio | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 116 BPM | ||
| Rouge et noir | Fred Hartley, New London Orchestra, Ronald Corp | B♭ Major | 1 | 6B | 132 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | F Major | 0 | 7B | 81 BPM | ||
| Grieg: The Last Spring, Op. 34, No. 2 | Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 89 BPM | ||
| 3 Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre. Andantino (Arr. for Orchestra by Arnold Foster) | Ralph Vaughan Williams, Britten Sinfonia, Benjamin Nicholas, Choir of Merton College, Oxford | A♭ Major | 1 | 4B | 64 BPM |