"String Quartet No. 2 "Three Portraits": IV. Epilogue" by Robin Stevens, Behn Quartet had its release date on April 17, 2020. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Robin Stevens: String Quartets & String Quintet". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. String Quartet No. 2 "Three Portraits": IV. Epilogue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet No. 2 "Three Portraits": IV. Epilogue by Robin Stevens, Behn Quartet having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite of Preludes: No. 4, Teneramente | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | ||
| 15 Variations and Fugue in E-flat Major on an Original Theme ('Eroica Variations'), Op.35: xv. Variation 14: Minore | Beethoven, Denis Matthews | B Major | 0 | 1B | 137 BPM | ||
| Iberia, T. 105 / Book 3: No. 9, Lavapiés | Isaac Albéniz, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
| Sonata in F-Sharp Major, R. 90 | Antonio Soler, Harrison Herman | D♭ Major | 2 | 3B | 73 BPM | ||
| 5 Fantasy Pieces, Op. 45: No. 4, Gyngende | Agathe Backer Grøndahl, Benjamin Engeli | A Major | 1 | 11B | 60 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 6. Andante dolcissimo | Karol Szymanowski, Jonathan Fournel | B Major | 0 | 1B | 67 BPM | ||
| Variations on a Theme of Chopin, Op. 22: Variations 14 - 15 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
| Variations on a Theme of Chopin, Op. 22: Variations 19 - 20 | Sergei Rachmaninoff, Park Eun Shik | B Major | 0 | 1B | 88 BPM | ||
| 3 Romances, Op. 21: No. 1 in A Minor | Clara Schumann, Jean-Pierre Armengaud | D Minor | 0 | 7A | 76 BPM | ||
| Violin Sonata No. 1 in G Major, Op. 78: I. Vivace ma non troppo | Johannes Brahms, Andreas Röhn, Karl Bergemann | G Major | 1 | 9B | 70 BPM | ||
| Falla: 4 Piezas españolas: No. 3, Montañesa | Manuel de Falla, Jean-François Heisser | D Major | 0 | 10B | 65 BPM | ||
| 3 Character Pieces for Cello & Piano: No. 2, Wistful Chorale | Robin Stevens, Nicholas Trygstad, David Jones | D Major | 0 | 10B | 84 BPM | ||
| Sonata No. 30 in E Major, Op. 109 - I. Vivace, adagio espressivo | Beethoven | F♯ Minor | 1 | 11A | 69 BPM | ||
| Don Quixote: No. 4, Dulcinea of Toboso | Erich Wolfgang Korngold, Nikita Volov | C Major | 2 | 8B | 80 BPM | ||
| 2 Sonatinas for Piano, Op. 1 No. 2: III. Allegro | Georgijs Osokins, Arvo Pärt | F♯ Minor | 3 | 11A | 125 BPM | ||
| Schumann: Theme & Variations in E-Flat Major, WoO 24, "Ghost Variations": IV. Variation 3 | Robert Schumann, Eric Lu | F Minor | 1 | 4A | 96 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
| Intimate Sketches: No. 1, Malostransky Palace | Leoš Janáček, Olena Kushpler | D♭ Major | 0 | 3B | 73 BPM | ||
| Balmoral Suite for Cello & Piano: IV. Enter Great-Grandpa | Robin Stevens, Nicholas Trygstad, David Jones | A Minor | 0 | 8A | 72 BPM | ||
| Phantasy Quintet: II. Scherzo | Ralph Vaughan Williams, Piatti Quartet, Zahra Benyounes | F♯ Minor | 1 | 11A | 69 BPM | ||
| Piano Sonata No. 2 in G-Sharp Minor, Op. 19 "Sonata-Fantasy": I. Andante | Alexander Scriabin, Łukasz Krupiński | D♭ Minor | 1 | 12A | 84 BPM | ||
| Prokofiev: String Quartet No. 2, Op. 92: I. Allegro sostenuto | Sergei Prokofiev, Quartetto Italiano | F♯ Minor | 1 | 11A | 69 BPM | ||
| Cello Sonata, FP 143: I. Allegro. Tempo di marcia | Francis Poulenc, Lidy Blijdorp, Pascal Rogé | F♯ Minor | 1 | 11A | 69 BPM | ||
| Clarinet Quintet: Iii. Adagio con moto | Robin Stevens, Rosa Campos, Sophie Rosa, Rosemary Attree, Alastair Vennart, Nicholas Trygstad | B♭ Major | 0 | 6B | 79 BPM | ||
| Prélude, Choral et Fugue, FWV 21: II. Choral | César Franck, Charles Owen | F♯ Minor | 1 | 11A | 69 BPM |