"Thank You, Lilac Fairy" by Ann Rachlin had its release date on 1983. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Thank You, Lilac Fairy's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Sleeping Beauty - The Story Of The Ballet". In this album, this song's track order is #13. Thank You, Lilac Fairy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Thank You, Lilac Fairy by Ann Rachlin having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasia on Greensleeve (Excerpt) | Ralph Vaughan Williams, Adelaide Symphony Orchestra, Ron Spigelman | C Minor | 0 | 5A | 79 BPM | ||
| Main Title (Meet Me In St. Louis) | MGM Studio Orchestra, MGM Studio Chorus, Georgie Stoll | G Major | 1 | 9B | 77 BPM | ||
| Brooklets & Heights | Danke Timi Briggs | B♭ Minor | 1 | 3A | 121 BPM | ||
| Suite From The Little Mermaid: Les Poissons | Cincinnati Pops Orchestra, Erich Kunzel | B♭ Minor | 2 | 3A | 118 BPM | ||
| Giselle, Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 71 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| The Two Pigeons Act 1 | André Messager, John Lanchbery, Royal Ballet Sinfonia, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
| Norwegian Folk Songs, Op. 66: Little Astrid | Edvard Grieg, Michala Petri, Gordon Langford, English Chamber Orchestra | A Major | 2 | 11B | 107 BPM | ||
| Peter and the Wolf, Op. 67: XII. The Hunters Arrive | Wiener Opernorchester | A♭ Major | 1 | 4B | 99 BPM | ||
| Rivulet Of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
| The Seasons, Op. 67: IV. Winter: Variation 4, Snow | Alexander Glazunov, Alexander Anissimov, Moscow Symphony Orchestra | F Minor | 1 | 4A | 164 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Otoño Porteño (Buenos Aires Autumn) | The Royal Wind Music | F♯ Major | 1 | 2B | 113 BPM | ||
| Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | G Minor | 2 | 6A | 93 BPM | ||
| The Duke of Plaza Toro | Olive the Otter Dog | B♭ Major | 4 | 6B | 96 BPM | ||
| Raymonda, Act I: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 2 | 7B | 80 BPM | ||
| Coppélia, Tableau 3: No. 20 Fête de la cloche: VI. La discorde et la guerre | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Prelude: Quasi Adagio | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 1 | 9B | 83 BPM | ||
| Giselle: Act II: Entree des paysans (Peasants Enter) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 103 BPM | ||
| Is It Really Me?/midnight | Ann Rachlin | D Major | 4 | 10B | 117 BPM | ||
| Act II, ii, 9 Grand pas Classique: Corps de Ballet (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Petite Suite (Orchestrated by Glazunov): II. Intermezzo | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | A Major | 4 | 11B | 80 BPM | ||
| Wiegenlied (Arr. Andrew Schultz) | Johannes Brahms, Adelaide Symphony Orchestra, Ron Spigelman | E♭ Major | 0 | 5B | 76 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| Chapter 6 - Geronimo Stilton, Book 22: The Secret of Cacklefur Castle | Geronimo Stilton, Bill Lobley | D♭ Major | 4 | 3B | 102 BPM |