Rashid Khan's 'Deshkar' had a release date set for September 12, 2024. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Passage to India (Vocal India)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Deshkar's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Deshkar by Rashid Khan having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | ||
| Riu, Riu, Chiu | Bartolomé Cárceres, Massimo Marchese, Ugo Nastrucci | D Minor | 1 | 7A | 128 BPM | ||
| The Winter's Tale, Op. 18: I. Siciliana | Lars-Erik Larsson, Jerker Johansson, Göteborg Wind Orchestra | E Minor | 1 | 9A | 144 BPM | ||
| To Dionysus | The Rosslyn Singers, Mary Oliver | E Major | 2 | 12B | 77 BPM | ||
| Jerusalem: And did those feet in ancient time (Jerusalem) | Hubert Parry, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | D Major | 2 | 10B | 96 BPM | ||
| Jesu, Son Most Sweet | The Choir of All Saints' Episcopal Church | A♭ Major | 1 | 4B | 174 BPM | ||
| Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
| Intermezzo sinfonico, from Symphonic Poetry | State R&T Symphony Orchestra Moscow | F Major | 3 | 7B | 79 BPM | ||
| 3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | B♭ Major | 0 | 6B | 162 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| Der Nussknacker, Op. 71: VIII. Im Tannenwald | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, Markus Poschner | C Major | 2 | 8B | 108 BPM | ||
| Lully, Lulla, Lullay | Philip Stopford, Truro Cathedral Choir, Christopher Gray | F Minor | 0 | 4A | 75 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Canticum Beatum | The Schola Cantorum of St. John XXIII Parish, Cantos Gregorianos, Monges da Abadia de Notre Dame | D Minor | 0 | 7A | 82 BPM | ||
| In Nativitate (Domini) | Medieval Voices | E♭ Minor | 0 | 2A | 79 BPM | ||
| Es kommt ein Schiff geladen | Jan Wilke, Junger Kammerchor Rhein-Neckar, Mathias Rickert | F Minor | 0 | 4A | 83 BPM | ||
| Come, Holy Ghost, Our Souls Inspire | Choir of St Mary's Cathedral, Edinburgh | E♭ Major | 0 | 5B | 110 BPM | ||
| Tomorrow shall be my dancing day - Bonus Track | John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge | A♭ Major | 1 | 4B | 88 BPM | ||
| Пречиста Діва сина родила | Маленький хор Василія Великого | F Major | 4 | 7B | 101 BPM | ||
| I Wonder As I Wonder | arr. John Jacob Niles, Octarium | A Minor | 4 | 8A | 66 BPM | ||
| Introit Benedicta Sit | Monks Of The Abbey Of Notre Dame | F♯ Major | 1 | 2B | 83 BPM | ||
| Missa Festiva (Kyrie) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | E Minor | 3 | 9A | 80 BPM | ||
| Palestrina: Missa Papae Marcelli - 5a. Agnus Dei 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 66 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Love Is Come Again | Traditional, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 3 | 6B | 116 BPM |