John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge's ' "Tomorrow shall be my dancing day - Bonus Track" was released on its scheduled release date, December 12, 2025. The duration of This song is about 3 minutes long, at 3:02. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble's "John Rutter: A Clare College Celebration (The Christmas Edition)" album is number 13 out of 22. On top of that, France appears to be the country where this track was created. Tomorrow shall be my dancing day - Bonus Track is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Tomorrow shall be my dancing day - Bonus Track by John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere: III. Ecce enim in iniquitatibus | André Campra, Les Arts Florissants, William Christie | G Major | 3 | 9B | 134 BPM | ||
| The Throne | Ad Hoc Choir | C Minor | 3 | 5A | 81 BPM | ||
| Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
| Fall (Arr. for 2 Voices & Choir by Nicolas Nipp) | Chloe Bailey, Halle Bailey, The Portland State University Chamber Choir, Ethan Sperry, Katie Manullang, Mercy Hallman | D Major | 4 | 10B | 102 BPM | ||
| Wake, Awake, for Night Is Flying | The Concordia Choir, René Clausen | C Major | 2 | 8B | 83 BPM | ||
| Purge Me From My Sin | The Concordia Choir | F♯ Minor | 1 | 11A | 73 BPM | ||
| Rudens Dziesma | Jānis Ivanovs, Youth Choir "Kamer...", Jurģis Cābulis | D Major | 1 | 10B | 132 BPM | ||
| Lullaby (Wiegenlied), Op. 49, No. 4 [Arr. Michael Leighton Jones] | Johannes Brahms, Michael Leighton Jones, Jonathan Bradley | E♭ Major | 2 | 5B | 128 BPM | ||
| Tomorrow shall be my dancing day - Bonus Track | John Rutter, Graham Ross, Emily Coatsworth, Choir of Clare College, Cambridge | A♭ Major | 1 | 4B | 88 BPM | ||
| Song for Snow (Piano, Choir and Orchestra Version) | Florence Beatrice Price, Elizabeth Coatsworth, Chloe Flower, English National Opera Chorus, Jessica Cottis, Academy of St. Martin in the Fields | D♭ Major | 5 | 3B | 138 BPM | ||
| 3 Six-Part Choirs, Op.39: II. Abendlied | Max Reger, The Rodolfus Choir, Ralph Allwood, Ben Parry | E Major | 2 | 12B | 133 BPM | ||
| All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
| Can We Sing the Darkness to Light? | Kyle Pederson, Transept, Timothy J. Campbell, Paul Sánchez, Doosook Kim, Robert Erhardt | D♭ Major | 1 | 3B | 80 BPM | ||
| The Peace of God | John Rutter, City of London Sinfonia, The Cambridge Singers | F Major | 1 | 7B | 70 BPM | ||
| The Nativity Troparion F-dur, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 | St.Petersburg Chamber Choir, Nikolay Korniev | F♯ Minor | 1 | 11A | 77 BPM | ||
| Ojcze Nasz | Hope Singers | D♭ Major | 2 | 3B | 74 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Exultate Justi | Lodovico Viadana, University of Saskatchewan Greystone Singers | A♭ Major | 3 | 4B | 87 BPM | ||
| Francis Poulenc: Quem vidistis pastores | Lumen Valo | B Minor | 1 | 10A | 131 BPM | ||
| Child of the Stable's Secret Birth | Thomas Hewitt Jones, Choir of Clare College, Cambridge, Maud Millar | C Minor | 2 | 5A | 94 BPM | ||
| Fögur er foldin | Anders Öhrwall, Matthías Jochumsson, Kór Langholtskirkju | E Minor | 0 | 9A | 84 BPM | ||
| Hodie Christus natus est, SWV 456 | Heinrich Schütz, Il Pomo D'oro, Giuseppe Maletto | F Major | 1 | 7B | 114 BPM | ||
| Adventus Dei | Medieval Voices | D Major | 1 | 10B | 83 BPM |