"Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live]" by Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra had its release date on April 26, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "Puts: The Hours (Live)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puts: The Hours, Act 1: "You Know What We’re Going to Do?" (Laura, Virginia, Richie, Clarissa) [Live] by Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Kai Edgar, Kelli O'Hara, Renée Fleming, Metropolitan Opera Orchestra having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les nuits d'été, H. 81 (Transcr. Matheson for Tenor and Piano): I. Villanelle | Hector Berlioz, Benjamin Bernheim, Carrie-Ann Matheson | A Major | 3 | 11B | 135 BPM | ||
| Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | E♭ Major | 0 | 5B | 173 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| Misa Tango: III. Credo | MartÍn Palmeri, Astoria, Philippe Gérard | E Major | 5 | 12B | 131 BPM | ||
| Miserere mei Deus, C. 116: I. Miserere mei Deus | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | D♭ Major | 1 | 3B | 71 BPM | ||
| Petite messe solennelle: Gloria in excelsis Deo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Michael Spyres, Alexander Vinogradov, Delphine Galou | F Major | 1 | 7B | 106 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz) | Erich Wolfgang Korngold, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | D♭ Major | 1 | 3B | 90 BPM | ||
| 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
| Te Deum, WAB 45: II. Te ergo, quaesumus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 85 BPM | ||
| Prayer for the Ukraine (Arr. for Cello and Orchestra by Julian Riem) | Valentin Silvestrov, Raphaela Gromes, Ukraine National Symphony Orchestra, Volodymyr Sirenko | D♭ Major | 3 | 3B | 116 BPM | ||
| Dido´s Lament | Henry Purcell, David Orlowsky, David Bergmüller | A♭ Minor | 1 | 1A | 79 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| Ave Generosa: Antiphona I - Arr. Chamber Ensemble | Hildegard von Bingen, Varanus Ensemble | E Minor | 4 | 9A | 120 BPM | ||
| Dowland: Flow My Tears | John Dowland, Philippe Jaroussky, Thibaut García | A♭ Minor | 0 | 1A | 63 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| Stabat Mater, FP 148: I. Stabat mater dolorosa | Francis Poulenc, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: V. Funeral March. Adagio molto | Dmitri Shostakovich, Cuarteto Casals | A Minor | 2 | 8A | 109 BPM | ||
| Entreveo | Daniel Ariño, Mercedes Gancedo | B Major | 1 | 1B | 73 BPM | ||
| Symphony No. 9: III. Rondo-Burleske. Allegro assai, Sehr trotzig | Gustav Mahler, Vladimir Jurowski, London Philharmonic Orchestra | A Minor | 2 | 8A | 109 BPM | ||
| Biber: Nachtigal (The Nightingale) | Heinrich Ignaz Franz von Biber, Christina Pluhar, L'Arpeggiata, Margherita Pupulin | F Major | 1 | 7B | 88 BPM | ||
| 7 Seascapes: No. 1, Exultation Is the Going of an Inland Soul to Sea | Kevin Puts, Marya Martin, Stewart Rose, Amy Schwartz Moretti, Choong-Jin Chang, Nicholas Canellakis, Jeffrey Beecher, Gilles Vonsattel | B♭ Major | 2 | 6B | 115 BPM | ||
| Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Not Applicable, Wiener Philharmoniker, Yannick Nézet-Séguin | A Minor | 2 | 8A | 109 BPM | ||
| In At The Eye: IV. Fallen Majesty | Kevin Puts, Timothy Jones, Stephanie Jutt, Stephanie Sant'Ambrogio, Anthony Ross, Jeffrey Sykes | G Major | 0 | 9B | 73 BPM | ||
| Threni: De Elegia Tertia: II. Sensus spei | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Berit Norbakken, Marianne Beate Kielland, Guy Cutting, Thomas Walker, Tobias Berndt | A Minor | 2 | 8A | 109 BPM |