What is the BPM for 前奏曲集作品103 VI.変ホ短調 by G. フォーレ, 長崎麻里香（ピアノ）?

The tempo for 前奏曲集作品103 VI.変ホ短調 is 132 beats per a minute with a half-time of 66 BPM and a double-time of 264 BPM.

What is the music key for 前奏曲集作品103 VI.変ホ短調 by G. フォーレ, 長崎麻里香（ピアノ）?

The music key for 前奏曲集作品103 VI.変ホ短調 is D Major or a camelot key of 10B.

前奏曲集作品103 VI.変ホ短調 by G. フォーレ, 長崎麻里香（ピアノ） Song Details

"前奏曲集作品103 VI.変ホ短調" by G. フォーレ, 長崎麻里香（ピアノ） had its release date on August 25, 2014. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 前奏曲集作品103 VI.変ホ短調's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in さえずり　〜フランス・ピアノ作品集〜, so we believe that "前奏曲集作品103 VI.変ホ短調" is a single. Based on our statistics, 前奏曲集作品103 VI.変ホ短調's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of 前奏曲集作品103 VI.変ホ短調 by G. フォーレ, 長崎麻里香（ピアノ） is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Music Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.853 dB
Acousticness: 99%
Danceability: 22%
Energy: 6%
Instrumentalness: 91%
Liveness: 9%
Loudness: 60%
Speechiness: 4%
Valence: 17%

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