"Sophie's Song" by Liv Redpath, Maren Montalbano, Randal Keith, Jennifer Rosenfeld had its release date on February 22, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "The White Rose: A Musical Concept Recording". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Sophie's Song's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sophie's Song by Liv Redpath, Maren Montalbano, Randal Keith, Jennifer Rosenfeld having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Six Lieder, Op. 13: 3. Liebeszauber | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 1 | 5B | 103 BPM | ||
| Maria Stuarda / Act 1: "Sì, vuol di Francia il Rege" - "Ah, quando all'ara" - "In tal giorno di contento" | Gaetano Donizetti, Agnes Baltsa, Francesco Ellero D'Artegna, Simone Alaimo, Bavarian Radio Chorus, Munich Radio Orchestra, Giuseppe Patanè | G Major | 1 | 9B | 77 BPM | ||
| Falstaff, Act I: In due parole: l'enorme Falstaff vuole | Giuseppe Verdi, Anatolij Kotscherga, Enrico Facini, Thomas Hampson, Anthony Mee, Daniil Shtoda, Dorothea Röschmann, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| Korngold: Die tote Stadt, Op. 12, Act 2: "Mein Sehnen, mein Wähnen" (Fritz) | Erich Wolfgang Korngold, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | D♭ Major | 1 | 3B | 90 BPM | ||
| Embraceable You | Tatiana Bookbinder | D Major | 1 | 10B | 70 BPM | ||
| Emily — No Prisoner Be: No. 4, Again — his voice is at the door | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 1 | 3B | 77 BPM | ||
| Emily — No Prisoner Be: No. 20, Tell Her | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 1 | 3B | 77 BPM | ||
| Roméo et Juliette, CG 9 / Act 4: Amour, ranime mon courage | Charles Gounod, Nadine Sierra, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 1 | 7B | 88 BPM | ||
| Ariadne auf Naxos, Op. 60: XX. Gibt es kein Hinüber? | Richard Strauss, Dorothea Röschmann, David Butt Philip, Liv Redpath, Claire Barnett-Jones, Brenda Rae, Lothar Koenigs, Royal Scottish National Orchestra, Soraya Mafi | D♭ Major | 3 | 3B | 84 BPM | ||
| Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM | ||
| 9. Comes a train of little ladies | Arthur Sullivan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | G Major | 2 | 9B | 163 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | D♭ Major | 1 | 3B | 77 BPM | ||
| Vilia from "The Merry Widow" | Franz Lehár, Anna Moffo, RCA Victor Orchestra, Skitch Henderson | C Major | 2 | 8B | 96 BPM | ||
| Trial by Jury: Is This the Court of the Exchequer? | Gilbert & Sullivan Society of Houston | D Minor | 2 | 7A | 120 BPM | ||
| Un ballo in maschera, Act III: Morrò, ma prima in grazia – Alzati, là tuo figlio | Giuseppe Verdi, Katia Ricciarelli, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Minor | 1 | 3A | 78 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina) | Vincenzo Bellini, Diana Damrau, Gianandrea Noseda, Orchestra Teatro Regio Torino | C Major | 0 | 8B | 139 BPM | ||
| Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
| Die Fledermaus, Act I: Terzett. Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Friedrich Haider, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, WDR Rundfunkorchester Köln | D Major | 1 | 10B | 92 BPM | ||
| Don Giovanni, K.527 / Act 1: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Franz Bartolomey, Vienna Chamber Orchestra, György Fischer | D♭ Major | 2 | 3B | 74 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
| Sea Pictures, Op. 37: No. 2, In Haven (Capri) | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Major | 1 | 8B | 86 BPM | ||
| Duparc: Chanson triste | Henri Duparc, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | E♭ Major | 0 | 5B | 100 BPM | ||
| Die Fledermaus, Act II: Couplet. Ich lade gern mir Gäste ein (Orlofsky) | Johann Strauss II, Friedrich Haider, Natascha Petrinsky, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Gounod: Faust, Act 1: Récitatif. "Mais ce Dieu, que peut-il pour moi?" (Faust) | Charles Gounod, Michel Plasson, Richard Leech, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |