"シンプル・ソング" by 保多由子, 寺嶋陸也, 鈴木大介 had its release date on April 21, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in シンプル ソング, so we believe that "シンプル・ソング" is a single. Based on our statistics, シンプル・ソング's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of シンプル・ソング by 保多由子, 寺嶋陸也, 鈴木大介 is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bach, JS: Schemellis Musicalisches Gesang-Buch: Mein Jesu! Was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Sabine Devieilhe, Ensemble Pygmalion, Raphael Pichon | A♭ Major | 4 | 4B | 104 BPM | ||
| Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
| I Knew - Ghorman Aria | Ann de Renais | A♭ Major | 2 | 4B | 89 BPM | ||
| Au bord de l'eau | Patricia Petibon, Susan Manoff | C Minor | 1 | 5A | 66 BPM | ||
| Adagio in G Minor (Arr. for voice and orchestra) | Tomaso Albinoni, Remo Giazotto, Anonymous, Marina Rebeka, Modestas Pitrenas, Sinfonietta Riga | B Minor | 2 | 10A | 120 BPM | ||
| La Sonnambula, Act 2 Scene 12: Ah! Non credea mirarti (Arr. for Countertenor & String Quartet by Eric Mouret) | Théophile Alexandre, Quatuor Zaïde | G Major | 1 | 9B | 101 BPM | ||
| L'omnibus automobile | Erik Satie, Measha Brueggergosman, William Bolcom | F Minor | 0 | 4A | 133 BPM | ||
| Handel: Serse, HWV 40, Act 1: Largo. "Ombra mai fu" (Serse) | George Frideric Handel, Jakub Józef Orliński, Michał Biel | D♭ Major | 1 | 3B | 139 BPM | ||
| Hébé, Op. 2 No. 6 | Ernest Chausson, Axel Bauni, Stella Doufexis | A Minor | 0 | 8A | 85 BPM | ||
| Je t'aime ! | Isabelle Aboulker, Julie Roset, Susan Manoff | D♭ Major | 1 | 3B | 139 BPM | ||
| Non vieni del tardar (from "Le Nozze di Figaro") | Adrian Johnston, John Lenehan | F Major | 1 | 7B | 170 BPM | ||
| Schwanenlied | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | E Major | 1 | 12B | 93 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM | ||
| Orquesta de Señoritas (Arr. for Voice & Piano by Alejandro Sarmentero) | María Elena Walsh, Alejandro Sarmentero, Maria Cristina Kiehr | E Major | 0 | 12B | 73 BPM | ||
| Flower Duet | Léo Delibes, Cerise Locroy, Édouard Bonnet, Zoe Tourret | B Major | 1 | 1B | 172 BPM | ||
| Debussy: La Romance d'Ariel, L. 54 | Claude Debussy, Sabine Devieilhe | F Minor | 1 | 4A | 78 BPM | ||
| The Maid of Orleans, TH 6, Act 1: Adieu forêts (Arr. for Countertenor & String Quartet by Eric Mouret) | Pyotr Ilyich Tchaikovsky, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM | ||
| オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| Ariane et Barbe-bleue, Act I: Prenez-les! - Penchez-vous! (the Nurse, Ariane) | Paul Dukas, Marilyn Schmiege, Roderick Kennedy, Jocelyne Taillon, Cynthia Buchan, Monique Baudoin, Mitsuko Shirai, Francine Laurent, Josef Otten, Jörg Pavelec, Franz Gerihsen, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Gary Bertini | F♯ Major | 4 | 2B | 91 BPM | ||
| Peer Gynt, Op. 23: Solveig's Song | Anna Netrebko, Prague Philharmonia, Emmanuel Villaume | A Minor | 1 | 8A | 113 BPM | ||
| Juditha triumphans, RV 644: Agitata infido flatu - Arr. for Voice & Piano | Antonio Vivaldi, Théophile Alexandre, Guillaume Vincent | D♭ Minor | 3 | 12A | 76 BPM | ||
| Ave Maria, No. 3, Op. 18 | Sabrina Cortese & Michele Biki Panitti | F Minor | 0 | 4A | 113 BPM |