"オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より" by 蒲原史子 had its release date on April 21, 1995. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 祈り〜アヴェ・マリア, so we believe that "オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より" is a single. オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of オンブラ・マイ・フ 〜歌劇<セルセ (クセルクセス)>HWV40より by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ガブリエルのオーボエ | E. モリコーネ, 大森義基(サックス), 高江洲愛(ハープ), 萩原通友(マリンバ&パーカッション) | D Major | 1 | 10B | 69 BPM | ||
| タイスの瞑想曲 | Jules Massenet, チー・ユン, 江口 玲 | E Minor | 1 | 9A | 70 BPM | ||
| モーツァルトの子守歌 | 蒲原史子 | B♭ Major | 1 | 6B | 80 BPM | ||
| アイルランドの子守歌 | 蒲原史子 | B♭ Major | 1 | 6B | 80 BPM | ||
| Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | ||
| Symphony No. 9 in D Minor, Op. 125 "Choral": 4. Alla marcia. Allegro vivace assai - - Live | Ludwig van Beethoven, Paul Groves, Tokyo Opera Singers, Saito Kinen Orchestra, Seiji Ozawa | B♭ Minor | 3 | 3A | 131 BPM | ||
| Rossini: Petite messe solennelle: IX. Credo in unum Deum | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 2 | 1B | 131 BPM | ||
| アヴェ・マリア(詞:P・マッツォーニ) | 蒲原史子 | F Major | 1 | 7B | 81 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| 歌劇 「カヴァレリア・ルスティカーナ」 間奏曲 | Berliner Philharmoniker | E Major | 1 | 12B | 77 BPM | ||
| Manon, Act II: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
| この道 | Kosaku Yamada, Yumiko Samejima | E Major | 1 | 12B | 135 BPM | ||
| ピエ・イエス | G. フォーレ, 池田昭子(オーボエ), 石田三和子(ピアノ) | B♭ Major | 0 | 6B | 172 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | ||
| Voici que le printemps, L. 6 | Dilyana Georgieva, Galina Apostolova | F Minor | 1 | 4A | 129 BPM | ||
| デボラのテーマ | I Solisti Filarmonici Italiani | E Major | 0 | 12B | 79 BPM | ||
| 聖なるかな(第546番) | KAY合唱団 | F Major | 0 | 7B | 82 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| タイスの瞑想曲~歌劇「タイス」より | ロラン・ドガレイユ | D Major | 1 | 10B | 174 BPM | ||
| Gloria del' Egitto (from Aida) | Singverein der Gesellschaft der Musikfreunde, Herbert von Karajan, Vienna Philharmonic Orchestra | G Major | 3 | 9B | 66 BPM | ||
| いにしえの道 | M.I.Z | D♭ Major | 1 | 3B | 66 BPM | ||
| 子守歌 | Franz Schubert, 蒲原史子, 朝川朋之 | A♭ Major | 1 | 4B | 75 BPM | ||
| フルート、シャリュモー、オーボエと2台のコントラバスのための協奏曲 ト長調 Iii- Presto | ゲオルク・フィリップ・テレマン, 有田正広, ラ・ストラヴァガンツァ・ケルン, ペーター・ヴェスターマン, デイン・ロバーツ, デイヴィッド・シンクレア, エリック・ヘープリッチ | D Major | 1 | 10B | 67 BPM | ||
| Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM |