"Ode for St. Cecilia's Day, HWV 76: Overture" by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich had its release date on March 9, 2004. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel's "Handel: Ode for St. Cecilia's Day" album is number 1 out of 13. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Ode for St. Cecilia's Day, HWV 76: Overture is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ode for St. Cecilia's Day, HWV 76: Overture by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
| Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
| Purcell : King Arthur : Act 5 Chaconne | William Christie | E♭ Major | 0 | 5B | 125 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
| Rinaldo, HWV 7, Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D♭ Major | 3 | 3B | 127 BPM | ||
| Concerto-Pasticcio in C Major: I. Largo | George Frideric Handel, Klaipėda Chamber Orchestra, Andrius Puskunigis, Vincent Bernhardt, Mindaugas Bačkus | G Major | 0 | 9B | 67 BPM | ||
| Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: II. Allegro | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | C Major | 1 | 8B | 134 BPM | ||
| Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | ||
| Symphony No. 3 in C Major, Op. 2, "the Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 100 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: II. Rondeau | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 121 BPM | ||
| Sinfonia in D Major: III. Scherzando: Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 3 | 10B | 109 BPM | ||
| Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
| Whispering Light | Nuit | D♭ Major | 1 | 3B | 82 BPM | ||
| Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
| Flute Sonata in E Minor: III. Presto | Frederick the Great, Berliner Barock Compagney | A♭ Minor | 1 | 1A | 128 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 6 in E Major: II. Allegro | Alessandro Scarlatti, Europa Galante, Fabio Biondi | E♭ Major | 3 | 5B | 83 BPM | ||
| Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Minor | 2 | 12A | 129 BPM | ||
| Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
| Concerto grosso No. 4 in D Major, Op. 6: IV. Allegro - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Flavio Losco | D♭ Major | 3 | 3B | 163 BPM | ||
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: III. Siciliano | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 83 BPM | ||
| Les Boréades / Act IV: Gavottes pour les Heures et les Zéphirs - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 0 | 3B | 109 BPM | ||
| Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 81 BPM | ||
| Concerto for Recorder in C Major, Op.44 No.11 | Michel Sanvoisin, Orchestre De Chambre De Toulouse, Louis Auriacombe | C Major | 2 | 8B | 117 BPM | ||
| La gloria di primavera, Pt. 1: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | C Minor | 0 | 5A | 113 BPM |