"All in Twilight: II. —" by Toru Takemitsu, Shin-ichi Fukuda had its release date on April 1, 2014. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. All in Twilight: II. —'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Takemitsu: Complete Original Solo Guitar Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, All in Twilight: II. —'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All in Twilight: II. — by Toru Takemitsu, Shin-ichi Fukuda having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rain Tree Sketch II | Toru Takemitsu, Lukas Huisman | F♯ Minor | 0 | 11A | 127 BPM | ||
| Requiem, Op. 9 (1961 version): Introit | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 1 | 7B | 104 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | ||
| Vermont Counterpoint | Steve Reich, Anne Parisot, Delphine Roche | A Minor | 3 | 8A | 116 BPM | ||
| Trumpet Concerto in A-Flat Major: Meno mosso | Alexander Arutiunian, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | D♭ Minor | 0 | 12A | 112 BPM | ||
| 2 Japanese Folk Songs for Guitar: No. 2, Lullaby | Toshio Hosokawa, Shin-ichi Fukuda | G Minor | 0 | 6A | 137 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 85 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Sonatine pour Harpe, Op. 30: I. Allègrement | Marcel Tournier, Chantal Mathieu | E Minor | 0 | 9A | 110 BPM | ||
| 6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| 12 Songs for Guitar: No. 5, Amours Perdues - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, Joseph Kosma, Giacomo Palazzesi | B Minor | 0 | 10A | 78 BPM | ||
| Palestinian Notebook (Excerpts): No. 3, Lullaby | Stefan Wolpe, Andrew Rangell | C Minor | 0 | 5A | 68 BPM | ||
| Épitaphe de Jean Harlow, Op. 164 | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Libor Sima | A Major | 0 | 11B | 108 BPM | ||
| 12 Songs for Guitar: Michelle | Toru Takemitsu, Masao Tanibe | D♭ Minor | 1 | 12A | 106 BPM | ||
| Miške, MKČ 101: I. Exposition, Main Theme. Lento assai | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Loutky (Puppets), H. 92: No. 1, Pierrotovo zastavenicko [Pierrot's Serenade] | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
| 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Suite en duo: I. Preambule: Modéré | Jean Cras, Juliette Hurel, Marie-Pierre Langlamet | D Major | 2 | 10B | 94 BPM | ||
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| El amor brujo, Scene I (1915 Version): No. 4, Danza del fin del día | Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez | E Minor | 2 | 9A | 132 BPM |