Requiem, Op. 9 (1961 version): Introit by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal Song Details

"Requiem, Op. 9 (1961 version): Introit" by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal had its release date on June 8, 1995. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 17 in Durufle: Requiem / 4 Motets / Prelude and Fugue by Maurice Duruflé, Michel Piquemal. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Requiem, Op. 9 (1961 version): Introit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Requiem, Op. 9 (1961 version): Introit by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -24.003 dB
Acousticness: 98%
Danceability: 15%
Energy: 10%
Instrumentalness: 95%
Liveness: 11%
Loudness: 60%
Speechiness: 4%
Valence: 7%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego"	Lou Harrison, American Composers Orchestra, Dennis Russell Davies	B Minor	0	10A	87 BPM
Requiem, Op. 48, N. 97: V. Agnus Dei	Gabriel Fauré, La Chapelle Royale, Philippe Herreweghe, Collegium Vocale Gent, Joseph Moor	D Minor	0	7A	143 BPM
Svete tikhii (Gentle light)	Victor Kalinnikov, St.Petersburg Chamber Choir, Nikolai Korniev	F Major	1	7B	74 BPM
2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	E Minor	0	9A	79 BPM
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison	Orazio Benevoli, Le Concert Spirituel, Herve Niquet	C Major	1	8B	94 BPM
8 Short Preludes on Gregorian Themes, Op. 45: III. Pange lingua	Marcel Dupré, Stefan Engels	D Major	1	10B	129 BPM
Requiem, Op. 9 (1961 version): In Paradisum	Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal	F♯ Major	0	2B	135 BPM
Locus iste, WAB 23	Anton Bruckner, St. Bride's Church Choir, Fleet Street, Robert Jones	C Major	0	8B	78 BPM
Albinoni / Giazotto: The Beatitudes (Adagio)	Remo Giazotto, Tomaso Albinoni, Edward Higginbottom, Choir of New College, Oxford, Capricorn	C Minor	2	5A	95 BPM
The Blue Bird	Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi	F♯ Major	1	2B	124 BPM
Requiem, Op. 48: III. Offertoire	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	D Major	1	10B	76 BPM
Miserere, Op.44: 5. Domine Deus noster-Meno mosso, lento molto tranquillo. Tender	Henryk Górecki, Los Angeles Master Chorale, Grant Gershon	C Major	0	8B	80 BPM
L'enfant et les sortilèges, M. 71, Pt. 2: Il est bon, l'enfant, il est sage	Maurice Ravel, Julie Pasturaud, Chœur Britten, Jeune Chœur symphonique, Orchestre National De Lyon, Leonard Slatkin	G Major	1	9B	128 BPM
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus	Olivier Messiaen, Lucas Debargue	E Major	0	12B	76 BPM
Fauré: Super flumina Babylonis	Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris	A Minor	1	8A	115 BPM
Modern chorusmusic: Lux Aeterna	György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks	A Minor	1	8A	66 BPM
3 Utwory w dawnym stylu (3 Pieces in Old Style): II. —	Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit	F Major	2	7B	176 BPM
Concerto for Choir: II. I, an Expert in Human Passions, Composed this Collection of Songs, Where Every Verse is Full to the Brim with Blasck Sorrow	Alfred Schnittke, Elena Dof-Donskaya, Valery Polyansky, USSR Ministry of Culture Chamber Choir	D Major	2	10B	132 BPM
A Child of our Time, Part I: The world turns on its dark side (Chorus)	Michael Tippett, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis	E Minor	0	9A	64 BPM
Requiem, Op. 9: IX. In paradisum	Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Chœur de filles Cæcilia, Yves Castagnet, Henri Chalet, Alice Korovitch	D Major	0	10B	67 BPM
Stabat mater, FP 148: Quis est homo	Francis Poulenc, Danielle Borst, Ile de France Vittoria Regional Choir, Orchestre De La Cite, Michel Piquemal	E♭ Major	0	5B	67 BPM
Messa di Requiem: Requiem	Ildebrando Pizzetti, Conspirare, Craig Hella Johnson	D Minor	0	7A	81 BPM
Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas et amor	Maurice Duruflé, Winchester Cathedral Choir, David Hill	E♭ Major	0	5B	55 BPM
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5	Pavel Chesnokov, Dale Warland Singers, Dale Warland	D Major	0	10B	133 BPM
Stabat Mater, FP 148: 11. Inflammatus et accensus	Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	A♭ Minor	2	1A	86 BPM