"Requiem, Op. 9 (1961 version): In Paradisum" by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal had its release date on June 8, 1995. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 17 in Durufle: Requiem / 4 Motets / Prelude and Fugue by Maurice Duruflé, Michel Piquemal. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Requiem, Op. 9 (1961 version): In Paradisum's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9 (1961 version): In Paradisum by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toward the Unknown Region | Ralph Vaughan Williams, Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | B♭ Major | 1 | 6B | 84 BPM | ||
| Ave generosa | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | A Minor | 0 | 8A | 134 BPM | ||
| Marche funebre | Luigi Cherubini, Radio Svizzera Italiana Orchestra, Diego Fasolis | D Minor | 0 | 7A | 82 BPM | ||
| Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Veni, Creator Spiritus | Gustav Mahler, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 3 | 4B | 125 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM | ||
| Cantique De Jean Racine | Monks And Choirboys Of Downside Abbey | D♭ Major | 1 | 3B | 73 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
| Bwv 639: Choral Ich Ruf Zu Dir, Herr Jesu Christ | Ton Koopman | F♯ Minor | 0 | 11A | 62 BPM | ||
| Epitaphium | Zbigniew Preisner | F Minor | 0 | 4A | 63 BPM | ||
| Trois pièces, Op. 29: Prélude | Gabriel Pierné, Eric Lebrun | F♯ Major | 0 | 2B | 76 BPM | ||
| Missa 'Te Deum Laudamus' In Honorem S. Aloisii Gonzagae: Kyrie | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | A Major | 0 | 11B | 78 BPM | ||
| Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Major | 0 | 5B | 77 BPM | ||
| Sonate op.5 n°1, en ré majeur pour violon et basse continue: Adagio | Arcangelo Corelli, Patrick Cohën-Akenine, Benjamin Chénier, François Poly, André Henrich, Beatrice Martin, Marc Schapira, Les Folies Françoises | D Major | 4 | 10B | 121 BPM | ||
| Tannhauser: Pilgrims Chorus | Richard Wagner, Alexander Vilumanis, Latvian State Symphony Orchestra | E♭ Major | 0 | 5B | 75 BPM | ||
| Sonata No. 10 in G Minor, "The Crucifixion and Death of Jesus": III. Meditation | Heinrich Ignaz Franz von Biber, Fabien Roussel, Sébastien d'Hérin, Eric Lebrun, André Henrich, Frédéric Baldassare | B Major | 2 | 1B | 78 BPM | ||
| Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
| 6 Pieces for Organ: Allegro - | César Franck, Eric Lebrun | B♭ Major | 2 | 6B | 76 BPM | ||
| Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
| Bridge of Darling | Ernesto Vallini, Neon Lilith, Valhalla Orquestra, Jackie Vanguast | C Minor | 1 | 5A | 69 BPM | ||
| Les Musiques, Accueil: Prélude Funèbre | Eric Lebrun | B Minor | 0 | 10A | 86 BPM | ||
| Requiem, Op. 48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
| Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM |