Requiem, Op. 48: 4. Pie Jesu (I) by Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner Song Details

"Requiem, Op. 48: 4. Pie Jesu (I)" by Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner had its release date on January 1, 1994. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 18 in Fauré: Requiem / Debussy: Trois chansons de Charles d'Orléans / Saint-Saëns: Calme des nuits by The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Requiem, Op. 48: 4. Pie Jesu (I) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Requiem, Op. 48: 4. Pie Jesu (I) by Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 30%
Loudness: -38.299 dB
Acousticness: 97%
Danceability: 14%
Energy: 0%
Instrumentalness: 84%
Liveness: 9%
Loudness: 36%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
3 Pieces in Old Style: No. 1, Aria	Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit	B♭ Major	0	6B	75 BPM
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume	Robert Schumann, Kian Soltani, Aaron Pilsan	F Major	0	7B	116 BPM
Cantique de Jean Racine, Op. 11	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	D♭ Major	2	3B	73 BPM
Tallis: Spem in Alium - 1. Spem in Alium	The Tallis Scholars, Peter Phillips	D Major	1	10B	138 BPM
Requiem, Op. 48, N. 97: I. Introit et Kyrie	Gabriel Fauré, La Chapelle Royale, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis	D Minor	0	7A	108 BPM
Siete Canciones Populares Españolas: VI. Nana - for alto and piano	Manuel de Falla, Tabea Zimmermann, Javier Perianes	C Major	0	8B	141 BPM
When I Am Laid in Earth	Henry Purcell, United Strings of Europe, Julian Azkoul	G Minor	0	6A	83 BPM
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski)	Arcangelo Corelli, Matthias Bamert, BBC Philharmonic	G Minor	0	6A	175 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Royal Concertgebouw Orchestra, John Eliot Gardiner	F Major	0	7B	173 BPM
Serse: Aria - Ombra Mai Fu	Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket	D Major	0	10B	113 BPM
Je te veux	Erik Satie, Patricia Petibon, Susan Manoff, Christian-Pierre La Marca	C Major	1	8B	76 BPM
Grande Messe des Morts: XXIII. Agnus Dei: Moderato	Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	C Minor	0	5A	132 BPM
Requiem in C Minor: I. Introitus	Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala	A♭ Major	0	4B	58 BPM
Petite messe solennelle: Kyrie. Kyrie eleison (1863 chamber Version)	Gioachino Rossini, Mireille Capelle, Catherine Patriasz, Joseph Cornwell, Jelle Draijer, Leo Van Doeselaar, Jos Van Immerseel, Wyneke Jordans, Netherlands Chamber Choir	C Major	0	8B	129 BPM
Alleluia: I. Evening	Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava	E♭ Major	1	5B	139 BPM
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament)	Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari	D♭ Minor	1	12A	68 BPM
My Song Is Love Unknown (Arr. for Choir by Gregory M Pysh)	Gabriel Fauré, Craig Courtney, Beckenhorst Singers, Beckenhorst Orchestra, Dan Forrest	D♭ Major	2	3B	79 BPM
Requiem, Op. 48: 2. Offertoire (Bariton, Chorus)	Gabriel Fauré, Andreas Schmidt, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann	E♭ Minor	1	2A	125 BPM
Variations on an Original Theme, Op. 36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner	B♭ Major	1	6B	75 BPM
The Music Makers, Op. 69: II. We Are the music makers	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	B♭ Minor	0	3A	79 BPM
Requiem, Op. 48: II. Kyrie	Gabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard	D Minor	0	7A	71 BPM
Pater noster	Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava	C Major	0	8B	68 BPM
There Will Come	Rebecca Dale, Philharmonia Orchestra, Michael Collins, Steven Isserlis	B♭ Major	1	6B	67 BPM
Calme des nuits, Op. 68, No. 1	Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner	E Minor	0	9A	128 BPM
Requiem, Op. 48: 1. Introit et Kyrie (Chorus)	Gabriel Fauré, Philharmonia Orchestra, Carlo Maria Giulini, Timothy Farrell, Philharmonia Chorus London, Horst Neumann	B♭ Major	0	6B	87 BPM