- BPM
- 86
- Key
- D Major
- Camelot
- 10B
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" by Jean-Philippe Rameau, Teodor Currentzis Song Details
"Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts"" by Jean-Philippe Rameau, Teodor Currentzis had its release date on October 17, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Rameau - The Sound of Light". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" by Jean-Philippe Rameau, Teodor Currentzis having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 31%
- Loudness
- -28.985 dB
- Acousticness
- 98%
- Danceability
- 9%
- Energy
- 1%
- Instrumentalness
- 75%
- Liveness
- 11%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | |
 | Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | |
 | Handel: Il Trionfo del Tempo e del Disinganno, HWV 46a: "Tu del ciel ministro eletto" (Bellezza) | George Frideric Handel, Sabine Devieilhe, Raphaël Pichon | E♭ Major | 1 | 5B | 84 BPM | |
 | Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | |
 | Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | |
 | Elegy (In Memoriam Stephen Lawrence) | Philip Herbert, Chineke! Orchestra, Anthony Parnther | C Major | 0 | 8B | 100 BPM | |
 | Concerto in F Major, RV 584: Allegro non molto | Rinaldo Alessandrini, Concerto Italiano | F Major | 2 | 7B | 153 BPM | |
 | Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | |
 | Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | |
 | Piano Quartet: Nicht zu schnell | Gustav Mahler, Wiener Klaviertrio | F Major | 1 | 7B | 137 BPM | |
 | Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova, Ferhan & Ferzan Önder, Martin Grubinger | D Major | 0 | 10B | 80 BPM | |
 | Requiem in D Minor, K. 626: I. Introitus "Requiem" | Wolfgang Amadeus Mozart, musicAeterna, Teodor Currentzis, The New Siberian Singers, Simone Kermes | A Minor | 0 | 8A | 95 BPM | |
 | Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | B Minor | 1 | 10A | 100 BPM | |
 | Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | |
 | Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | |
 | Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | |
 | …And at the Hour of Death | Víkingur Ólafsson | C Major | 0 | 8B | 122 BPM | |
 | Metamorphosis (Arr. for Harp by Lavinia Meijer): II. Metamorphosis Two. Flowing | Philip Glass, Lavinia Meijer | A Minor | 0 | 8A | 102 BPM | |
 | Agnus Dei, Adagio Op. 11 | Samuel Barber, Accentus, Laurence Equilbey | B♭ Minor | 1 | 3A | 74 BPM | |
 | Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | |
 | Tavener: The Protecting Veil: I. The Protecting Veil | John Tavener, Steven Isserlis, Gennady Rozhdestvensky, London Symphony Orchestra | F Major | 1 | 7B | 80 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | |
 | 7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | |
 | Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM |
- ISRC
- USSM11404290
- Label
- L-M Records/RCA Records