"Leaving the Boardroom" by Theodore Shapiro had its release date on December 9, 2016. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 23 in Collateral Beauty (Original Motion Picture Soundtrack) by Theodore Shapiro. In terms of popularity, Leaving the Boardroom is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Leaving the Boardroom by Theodore Shapiro is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tell Your Wife You Have Cancer | Craig Wedren, Jefferson Friedman, Alex Shenkman | C Major | 0 | 8B | 68 BPM | ||
| After All. Three Hops To Anyone | Adam Peters | F Minor | 1 | 4A | 88 BPM | ||
| A New Kingdom | Kevin Graham | B♭ Minor | 4 | 3A | 115 BPM | ||
| Eye of the Storm | Bear McCreary | C Minor | 2 | 5A | 77 BPM | ||
| South American Puma | Jacob Shea | F Major | 2 | 7B | 73 BPM | ||
| Imagine The Spectacular | Luke Richards | G Minor | 4 | 6A | 124 BPM | ||
| Mine Theme | Andrea Bonini | F Major | 0 | 7B | 93 BPM | ||
| Sunset Goodbye | Rolfe Kent | E Minor | 2 | 9A | 80 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM | ||
| Questions and Answers | Max Richter | F Minor | 1 | 4A | 138 BPM | ||
| Eviction | Satnam Ramgotra, Martin Tillman | D Minor | 2 | 7A | 118 BPM | ||
| Hawthorne Abendsen | Dominic Lewis | G Minor | 2 | 6A | 192 BPM | ||
| Humility and Love | Christopher Young | F Minor | 1 | 4A | 81 BPM | ||
| A Game of Croquet | Jóhann Jóhannsson | E Minor | 0 | 9A | 118 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Theater | Theodore Shapiro | C Minor | 0 | 5A | 128 BPM | ||
| She Is Standing Right There | Max Richter | A♭ Major | 0 | 4B | 142 BPM | ||
| Gift of a Pen | David Celeste | G Minor | 2 | 6A | 83 BPM | ||
| La Escuela | Fernando Velázquez | B♭ Major | 0 | 6B | 137 BPM | ||
| I Don't Need Saving | Blake Neely | D Minor | 2 | 7A | 108 BPM | ||
| Second Class Citizen | Dexter Britain | A Minor | 2 | 8A | 67 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| The Last Reef | Dan Romer, Saul Simon MacWilliams | C Minor | 2 | 5A | 121 BPM | ||
| Ambulance | Mike Mogis, Nathaniel Walcott | F Minor | 1 | 4A | 180 BPM |