Adam Peters's 'After All. Three Hops To Anyone' had a release date set for September 16, 2016. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. After All. Three Hops To Anyone's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Snowden (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. After All. Three Hops To Anyone is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With After All. Three Hops To Anyone by Adam Peters having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pizz and Digital | Adam Peters | D♭ Major | 3 | 3B | 147 BPM | ||
| I Have Faith in You - Goodbyes | John Ottman, Jeffrey Schindler, American Federation of Musicians | F Major | 0 | 7B | 79 BPM | ||
| JD Dies | Elliot Goldenthal | A♭ Major | 0 | 4B | 82 BPM | ||
| Harry & Grace Make Peace | Trevor Rabin | C Major | 1 | 8B | 74 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| Window of Opportunity | Mychael Danna, Harry Gregson-Williams | A♭ Minor | 6 | 1A | 125 BPM | ||
| Live | Falk Wünsch | D Minor | 2 | 7A | 132 BPM | ||
| Journey To Dignitas | Craig Armstrong | C Minor | 1 | 5A | 64 BPM | ||
| Apollo 11 Launch | Justin Hurwitz | B Minor | 4 | 10A | 129 BPM | ||
| Eviction | Satnam Ramgotra, Martin Tillman | D Minor | 2 | 7A | 118 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| Tell Fear…You Refuse | Jeff Russo | G Minor | 4 | 6A | 130 BPM | ||
| 14 Peaks – Opening | Nainita Desai | C Major | 3 | 8B | 95 BPM | ||
| I Don't Want To Die | Ryan Amon | C Minor | 1 | 5A | 136 BPM | ||
| Point Break End Credits | Junkie XL | B♭ Major | 5 | 6B | 96 BPM | ||
| Dissident Tension | Adam Peters | A Minor | 4 | 8A | 107 BPM | ||
| Alive And Together | Junkie XL | C Major | 1 | 8B | 70 BPM | ||
| 1982 | Superhuman | A Minor | 4 | 8A | 112 BPM | ||
| Salvation | Volker Bertelmann | F Major | 2 | 7B | 78 BPM | ||
| Acqua E Sangue | Sagrifizio | E Minor | 6 | 9A | 96 BPM | ||
| Whit and Amy / Time Visit #2 | Theodore Shapiro | G Minor | 1 | 6A | 154 BPM | ||
| Parallel | Tomandandy | D Minor | 2 | 7A | 104 BPM | ||
| Triumph Over Adversity | Luke Richards | D Major | 2 | 10B | 133 BPM | ||
| Vista Atras | Beaudrix | F♯ Minor | 1 | 11A | 105 BPM | ||
| Aurora's Theme (Agnus Dei) | Atli Örvarsson | A Minor | 0 | 8A | 141 BPM |