"Parallel" by Tomandandy had its release date on February 15, 2019. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Parallel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tomandandy's "Le chant du loup (Original Motion Picture Soundtrack)" album is number 16 out of 21. On top of that, France appears to be the country where this track was created. In terms of popularity, Parallel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Parallel by Tomandandy to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ecstacy of War | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | C Major | 5 | 8B | 128 BPM | ||
| It's Over - Remastered 2017 | Brad Fiedel | A Major | 2 | 11B | 88 BPM | ||
| Kidfried | Don Davis | B♭ Minor | 5 | 3A | 72 BPM | ||
| Navigating the Beach | Christophe Beck | D Major | 2 | 10B | 173 BPM | ||
| First Regression | Jed Kurzel | D Major | 5 | 10B | 90 BPM | ||
| Really Pissed Off (End Credits) | Tyler Bates, Joel J. Richard | G Major | 7 | 9B | 175 BPM | ||
| Swarm Down | Audiomachine | D Major | 8 | 10B | 130 BPM | ||
| Stampede | Tom Salta | G Major | 9 | 9B | 140 BPM | ||
| It's All a Deep End | Paul Leonard-Morgan | A Major | 2 | 11B | 100 BPM | ||
| Payload Deployment | Jed Kurzel | D♭ Major | 4 | 3B | 67 BPM | ||
| Frank Walk | Paul Haslinger | C Major | 4 | 8B | 125 BPM | ||
| Lucy Is Going Out, Pt. 2 | Éric Serra | D Major | 5 | 10B | 139 BPM | ||
| Main Title | Steve Jablonsky | F Minor | 4 | 4A | 152 BPM | ||
| FUTURE | HEALTH | C Major | 9 | 8B | 200 BPM | ||
| Tokyo | Tomandandy | E♭ Major | 6 | 5B | 151 BPM | ||
| I Am The Clock (12 Monkeys Suite) | Trevor Rabin, Paul Linford | D Minor | 3 | 7A | 145 BPM | ||
| Black Impact | Zhenlan Kang | B Minor | 7 | 10A | 125 BPM | ||
| Mt. Grimoor | Brian Reitzell, Alex Heffes | B♭ Minor | 7 | 3A | 89 BPM | ||
| Eon | NINJA TRACKS | C Minor | 5 | 5A | 120 BPM | ||
| Alien Fight | Harald Kloser | F Minor | 9 | 4A | 148 BPM | ||
| The Black Manta (feat. Jim Davies & Future Funk Squad) | Rupert Gregson-Williams, Future Funk Squad, Jim Davies | A♭ Major | 5 | 4B | 90 BPM | ||
| Inner Fireworks | Éric Serra | B♭ Major | 6 | 6B | 110 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Axemen | Tomandandy | D♭ Major | 9 | 3B | 160 BPM | ||
| Beatrice Taken | Garry Schyman | B♭ Major | 2 | 6B | 134 BPM |