"Lamentationes Jeremiae Prophetae, Prima die: Responso secondo. Una hora" by Emilio de' Cavalieri, Profeti Della Quinta had its release date on September 15, 2023. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 19 in Cavalieri: Lamentationes Jeremiae Prophetae by Emilio de' Cavalieri, Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Lamentationes Jeremiae Prophetae, Prima die: Responso secondo. Una hora is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lamentationes Jeremiae Prophetae, Prima die: Responso secondo. Una hora by Emilio de' Cavalieri, Profeti Della Quinta is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Rappresentatione di anima et di corpo, Atto II Scena 7: "Io son, io son il mondo" (Il Mondo) | Emilio de' Cavalieri, Marcos Fink, Johannes Weisser, Marie-Claude Chappuis, Christina Roterberg, Luciana Mancini, Chor der Deutschen Staatsoper Berlin, Akademie für Alte Musik Berlin, René Jacobs | G Major | 1 | 9B | 85 BPM | ||
| Praeter rerum seriem: I. Prima pars | Josquin des Prez, Odhecaton, The Gesualdo Six, Paolo da Col | G Major | 2 | 9B | 69 BPM | ||
| 4e livre de viole: Caprice ou Sonate (Lent, très légèrement) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | A♭ Minor | 1 | 1A | 113 BPM | ||
| Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Antoine Boësset, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
| Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | E♭ Major | 1 | 5B | 139 BPM | ||
| Tu solus qui facis mirabilia: I. Prima pars | Josquin des Prez, Odhecaton, Paolo da Col | G Minor | 0 | 6A | 103 BPM | ||
| Lovely Selina | John Blow, Grace Davidson, Julian Perkins | D♭ Major | 0 | 3B | 173 BPM | ||
| Lamentationes Jeremiae Prophetae, Secondo die: Responso tertia. Caligaverunt | Emilio de' Cavalieri, Profeti Della Quinta | F♯ Major | 1 | 2B | 81 BPM | ||
| Requiem: Versa Est | Tomás Luis de Victoria, Armonico Consort, Christopher Monks | E Minor | 0 | 9A | 72 BPM | ||
| Un allato messagier | Luigi Rossi, Eva Zaïcik, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 92 BPM | ||
| Pseaumes de David, Livre 2: No. 30, Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Unknown, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
| Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 81 BPM | ||
| Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
| Sonata à 6, doi violini e quattro tromboni | Giovanni Battista Buonamente, Musica Fiata, Roland Wilson | G Major | 1 | 9B | 97 BPM | ||
| Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act II: Prelude for the Witches - Wayward Sisters - Harm's Our Delight - (Sorceress, First Witch, Chorus) | Henry Purcell, Maxim Emelyanychev, Alena Dantcheva, Beth Taylor, Il Pomo D'oro, Il pomo d'oro Choir | F♯ Minor | 0 | 11A | 172 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | ||
| Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
| Quien te hizo, Juan Pastor | Esteban Daza, Shirley Rumsey | A Minor | 0 | 8A | 101 BPM | ||
| Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Music, the Master of thy Art is Dead | William Lawes, Robin Pharo, Ensemble Près de votre oreille | D Major | 1 | 10B | 74 BPM | ||
| Rossi: Ai sospiri, al dolore | Luigi Rossi, Tragicomedia | G Minor | 0 | 6A | 65 BPM |