- BPM
- 42
- Key
- D♭ Minor
- Camelot
- 12A
Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) by Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer Song Details
Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer's 'Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble)' had a release date set for May 4, 2001. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 20 in Cabezon: Tientos Y Glosados by Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) by Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer is Grave (very slow), since this song has a tempo of 42 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 21%
- Loudness
- -30.05 dB
- Acousticness
- 95%
- Danceability
- 25%
- Energy
- 3%
- Instrumentalness
- 90%
- Liveness
- 11%
- Loudness
- 50%
- Speechiness
- 7%
- Valence
- 30%
Recommendations
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|---|---|---|---|---|---|---|---|
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 | Tiento Del Quarto Tono Sobre Maheur Me Bat | Antonio de Cabezón, Veronique Musson-Gonneaud | A Minor | 0 | 8A | 82 BPM | |
 | O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | E Major | 1 | 12B | 141 BPM | |
 | In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | |
 | Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | |
 | Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | |
 | Motetes de a cuatro II: Avemaristela. Canto llano, Tenor, a Tres | Antonio de Cabezón, Claudio Astronio, Harmonices Mundi, La Moranda | A Minor | 1 | 8A | 81 BPM | |
 | Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM | |
 | Tarantelas | Santiago De Murcia, Erik Bosgraaf, Izhar Elias, Alessandro Pianu | B Major | 1 | 1B | 73 BPM | |
 | Couperin, L: La Piémontoise, G. 102 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | |
 | Versos de Magnificat, Pt. 2: No. 3, Siete Versos del Septimo Tono | Antonio de Cabezón, Quartetto Italiano Di Viole Da Gamba | B Major | 1 | 1B | 71 BPM | |
 | Il primo libro de madrigali a due, tre, quattro, e cinque voci, Op. 1: No. 9, Godere, e tacere - Instrumental Version | Barbara Strozzi, Accademia dell'Annunciata, Riccardo Doni | B Major | 1 | 1B | 170 BPM | |
 | Salve primer tono por de la sol re - Version for Consort of 4 Viols | Sebastián Aguilera de Heredia, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | N/A | N/A | N/A | 0 BPM | |
 | Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | |
 | Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | |
 | Españoletas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Minor | 1 | 7A | 91 BPM | |
 | Suite in E minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | |
 | 6 Suites d'Airs en Duo, Op. 1: III. Menuetto | Jean-Noel Marchand, Matthias Loibner, Riccardo Delfino, Laurent Le Chenadec, Thomas Wimmer, Norbert Zeilberger | B Major | 1 | 1B | 140 BPM | |
 | Chaconne | Alessandro Piccinini, Pernelle Marzorati | F♯ Major | 0 | 2B | 139 BPM | |
 | Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | |
 | Passepieds de Bretaigne | Pierre Francisque Carroubel, Le Poème Harmonique, Vincent Dumestre | A Minor | 2 | 8A | 128 BPM | |
 | Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | |
 | In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | |
 | The Funeralls | Anthony Holborne, L'Achéron, François Joubert-Caillet | D Major | 0 | 10B | 84 BPM |
- ISRC
- HKI199944901
- Label
- L-M Records/RCA Records