- BPM
- 102
- Key
- F♯ Major
- Camelot
- 2B
Nabucco: Slave Chorus by London Festival Orchestra Song Details
"Nabucco: Slave Chorus" by London Festival Orchestra had its release date on January 1, 2008. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 22 in the song's album "The Greatest Opera Collection". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. In terms of popularity, Nabucco: Slave Chorus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Nabucco: Slave Chorus by London Festival Orchestra having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -15.589 dB
- Acousticness
- 96%
- Danceability
- 27%
- Energy
- 21%
- Instrumentalness
- 16%
- Liveness
- 28%
- Loudness
- 74%
- Speechiness
- 4%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Jupiter (from The Planets) | London Festival Orchestra | G Minor | 2 | 6A | 139 BPM | |
 | Der fliegende Holländer, WWV 63 / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Werner Krenn, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | |
 | Roses From The South | Johann Sebastian Strauss, London Festival Orchestra | B♭ Major | 3 | 6B | 99 BPM | |
 | Mozart: Piano Concerto In A - Second Movement | London Festival Orchestra | F♯ Minor | 0 | 11A | 102 BPM | |
 | Amigos Para Siempre | Andrew Lloyd Webber, The Ten Tenors, Orchestrated by Steven Baker, Orquesta de RTVE | B♭ Major | 4 | 6B | 107 BPM | |
 | Leave Me Alone | Ronnie Aldrich and his 2 pianos, The London Festival Chorus, London Festival Orchestra | D♭ Major | 6 | 3B | 152 BPM | |
 | Rossini: Petite messe solennelle, Part 2: Credo - XIV. Agnus Dei (Contralto, Chorus) | Gioachino Rossini, Antonio Pappano, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 0 | 8A | 76 BPM | |
 | Schatzwalzer, Op. 418 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Major | 1 | 8B | 173 BPM | |
 | La Gazza Ladra: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | E Minor | 3 | 9A | 145 BPM | |
 | Without You | Ronnie Aldrich and his 2 pianos, London Festival Orchestra | D Minor | 3 | 7A | 145 BPM | |
 | PEER GYNT - SOLVEIG'S LIED | Edvard Grieg, Oslo Philharmonic Orchestra | F Minor | 0 | 4A | 124 BPM | |
 | Jupiter (from The Planets) | London Festival Orchestra | D♭ Major | 0 | 3B | 112 BPM | |
 | Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | |
 | The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | |
 | Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 99 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act 4: No. 13, Barcarolle "Belle nuit, ô nuit d'amour" (Orchestral Version) | Jacques Offenbach, Studio 2 Symphony Orchestra, Vilem Tausky | D Major | 0 | 10B | 116 BPM | |
 | Barcarola - I Racconti di Hoffmann | I Musici Veneziani | D Major | 3 | 10B | 150 BPM | |
 | Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | |
 | La fantasia | Anna Netrebko | A Minor | 4 | 8A | 72 BPM | |
 | Elisabethan Serenade | London Festival Symphony Orchestra | F Major | 2 | 7B | 152 BPM | |
 | Rigoletto : Bella figlia dell'amore | Orchestra Italiana | D♭ Major | 2 | 3B | 119 BPM | |
 | Prelude from La Traviata | George Carlaw | A♭ Major | 1 | 4B | 82 BPM | |
 | Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Georges Prêtre, Wiener Philharmoniker | F Minor | 7 | 4A | 87 BPM | |
![Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] by Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda](https://i.scdn.co/image/ab67616d00001e026dd33ceae26466d0243ab588) | Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | |
 | Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM |
- ISRC
- USA560784927
- Label
- L-M Records/RCA Records