I Musici Veneziani's 'Barcarola - I Racconti di Hoffmann' had a release date set for February 28, 2012. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Barcarola - I Racconti di Hoffmann's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in I Musici Veneziani's "La più belle arie d'Opera - Volume 1" album is number 3 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Barcarola - I Racconti di Hoffmann's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Barcarola - I Racconti di Hoffmann by I Musici Veneziani to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kumru Ballad | Fazıl Say, Cello Paradiso | A Minor | 1 | 8A | 83 BPM | ||
| By The Sea (From Eternity And A Day) | Eleni Karaindrou, Eduardo Viñuela | B♭ Minor | 0 | 3A | 138 BPM | ||
| Sultan V. Murad İçin Şarkı-i Duaiye | Emre Aracı | C Minor | 1 | 5A | 90 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Valse Sentimentale, Op. 51, No. 6 | Misha Quint, Svetlana Gorokhovich | A Minor | 0 | 8A | 81 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Gluck "Melody" | Hrachya Harutyunian | D Minor | 3 | 7A | 95 BPM | ||
| La bohème: Finale. Death of Mimi | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A♭ Major | 5 | 4B | 174 BPM | ||
| Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 77 BPM | ||
| carmen: L amour est un oiseau rebelle | I Musici Veneziani | D Major | 2 | 10B | 193 BPM | ||
| Turandot / Act 3: "Nessun dorma" | Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth | D Major | 3 | 10B | 90 BPM | ||
| Ave Maria - Caccini | Hannah Holgersson | B♭ Minor | 1 | 3A | 94 BPM | ||
| Ecole militaire 2 | Henri Seroka | C Major | 0 | 8B | 107 BPM | ||
| Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah! Se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | C Minor | 1 | 5A | 75 BPM | ||
| Concerto d'Aranjuez | Richard Gardet | B Minor | 3 | 10A | 79 BPM | ||
| A. Vucchella | Katia Ricciarelli | F Major | 2 | 7B | 96 BPM | ||
| Verdi: Macbeth, Act 4: "Patria oppressa!" (Coro) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, New Philharmonia Orchestra | A Minor | 0 | 8A | 140 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello and Piano) | Sergei Rachmaninoff, Denis Shapovalov, Alexander Vershinin | B♭ Minor | 1 | 3A | 80 BPM | ||
| Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
| Orphée et Eurydice, Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus) | Christoph Willibald Gluck, Marjanne Kweksilber, René Jacobs, Magdalena Falewicz, Collegium Vocale Gent, La Petite Bande, Sigiswald Kuijken | B Minor | 0 | 10A | 101 BPM | ||
| Gondol Şarkısı | Emre Aracı | E Minor | 1 | 9A | 68 BPM |