"Verdi: Macbeth, Act 4: "Patria oppressa!" (Coro)" by Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, New Philharmonia Orchestra had its release date on 1976. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. This song is part of Verdi: Macbeth by Giuseppe Verdi, Sherrill Milnes, Riccardo Muti. The song's track number on the album is #8 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Verdi: Macbeth, Act 4: "Patria oppressa!" (Coro)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Macbeth, Act 4: "Patria oppressa!" (Coro) by Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, New Philharmonia Orchestra has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Verdi: Macbeth, Act 4: "Patria oppressa!" (Coro) being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verdi: Nabucco, Act 3: "Donna, chi sei?" (Nabucco, Abigaille) / Chi è costei?... Oh, di qual'onta aggravisi" (Nabucco, Abigaille) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 2 | 4B | 78 BPM | ||
| Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi | A Major | 1 | 11B | 83 BPM | ||
| Carmina Burana (Cantiones Profanae): Fortune Plango Vulnera | Carl Orff, Eugene Ormandy, Philadelphia Orchestra, The Rutgers University Choir, Harve Presnell, Janice Harsanyi, Rudolf Petrak | D Minor | 2 | 7A | 87 BPM | ||
| La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
| E Lucevan Le Stelle (From "Tosca - Act III") - Live | Plácido Domingo | B Minor | 2 | 10A | 71 BPM | ||
| Madama Butterfly / Act 2: Coro a bocca chiusa | Giacomo Puccini, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus | B♭ Major | 0 | 6B | 76 BPM | ||
| Tchaikovsky: Suite from The Sleeping Beauty, Op. 66a: V. Waltz | Pyotr Ilyich Tchaikovsky, Philadelphia Orchestra, Riccardo Muti | G Minor | 1 | 6A | 75 BPM | ||
| Nabucco / Act I: Gli arredi festivi giù cadano infranti | Giuseppe Verdi, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 80 BPM | ||
| L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
| L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM | ||
| Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Borodin: Prince Igor, Act II, Polovtsian Dances: Pt. 3, General Dance | Alexander Borodin, Royal Philharmonic Orchestra, Sir Thomas Beecham, Beecham Choral Society | A Major | 1 | 11B | 64 BPM | ||
| Mozart: Requiem in D Minor, K. 626: III. Dies irae | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Minor | 6 | 7A | 77 BPM | ||
| Pagliacci / Prologue: "Si può? Signore! Signori!" | Ruggero Leoncavallo, Juan Pons, Philadelphia Orchestra, Riccardo Muti | D♭ Major | 1 | 3B | 75 BPM | ||
| Lucia di Lammermoor / Act 1: "Regnava nel silenzio" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Minor | 1 | 6A | 86 BPM | ||
| Requiem: VI. Rex Tremendae | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | C Minor | 1 | 5A | 108 BPM | ||
| Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Myung-Whun Chung, Plácido Domingo, Waltraud Meier, Orchestre de l'Opéra Bastille | D♭ Major | 2 | 3B | 80 BPM | ||
| Bizet: Carmen: Votre toast, je peux vous le rendre: Toreador Song - Act Two | Georges Bizet, José van Dam, Covent Garden Chorus, Shirley Verrett, Richard van Allan, Teresa Cahill, Anne Pashley, Sir Georg Solti | C Major | 3 | 8B | 106 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Requiem, Op. 89, B. 165, Pt. 1: III. Dies irae | Antonín Dvořák, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Kim Borg, Czech Philharmonic, Karel Ančerl, Czech Chorus, Prague, Markéta Kühnová | B♭ Minor | 2 | 3A | 87 BPM | ||
| Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
| Pagliacci / Act 2: "Pagliaccio, mio marito" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 0 | 8B | 110 BPM |