- BPM
- 75
- Key
- D♭ Major
- Camelot
- 3B
Pagliacci / Prologue: "Si può? Signore! Signori!" by Ruggero Leoncavallo, Juan Pons, Philadelphia Orchestra, Riccardo Muti Song Details
"Pagliacci / Prologue: "Si può? Signore! Signori!"" by Ruggero Leoncavallo, Juan Pons, Philadelphia Orchestra, Riccardo Muti had its release date on January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ruggero Leoncavallo, Luciano Pavarotti, Daniela Dessi, Juan Pons, Paolo Coni, Ernesto Gavazzi, Philadelphia Orchestra, Riccardo Muti's "Leoncavallo: I Pagliacci" album is number 2 out of 25. Pagliacci / Prologue: "Si può? Signore! Signori!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Pagliacci / Prologue: "Si può? Signore! Signori!" by Ruggero Leoncavallo, Juan Pons, Philadelphia Orchestra, Riccardo Muti to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -19.214 dB
- Acousticness
- 98%
- Danceability
- 23%
- Energy
- 14%
- Instrumentalness
- 2%
- Liveness
- 40%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 11%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | D Major | 1 | 10B | 132 BPM | |
 | Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | |
 | Der Freischütz, J. 277, Act III: Und ob die Wolke sie verhülle | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 135 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | Andrea Chénier / Act 3: Nemico della Patria? | Umberto Giordano, Leo Nucci, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | E Minor | 2 | 9A | 72 BPM | |
 | Saint-Saëns: Samson et Dalila, Op. 47, Act 2: "Mon cœur s'ouvre à ta voix" (Dalila) | Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra | D♭ Major | 1 | 3B | 77 BPM | |
 | Bizet: Carmen: L'amour est un oiseau rebelle: Habanera - Act One | Georges Bizet, Shirley Verrett, Covent Garden Chorus | D Major | 2 | 10B | 82 BPM | |
 | Les Pêcheurs de perles, Act I: Je crois entendre encore (Nadir) | Georges Bizet, Alain Vanzo, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | A Minor | 1 | 8A | 86 BPM | |
 | Pagliacci / Prologue: "Si può? Signore! Signori!" | Ruggero Leoncavallo, Giuseppe Taddei, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | G Major | 2 | 9B | 132 BPM | |
 | Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | |
 | Pagliacci / Act 2: "O Colombina, il tenero fido Arlecchin" - "Di fare il segno" | Ruggero Leoncavallo, Ernesto Gavazzi, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | C Major | 0 | 8B | 75 BPM | |
 | Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | |
 | La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | |
 | Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | |
| L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | |
 | Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | |
 | Faust, CG 4, Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | |
 | La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | |
 | I Pagliacci (From "For the First Time"): Vesti la giubba (From "For the First Time") | Ruggero Leoncavallo, Mario Lanza, Constantine Callinicos | A Minor | 3 | 8A | 84 BPM | |
 | Pagliacci, Atto Primo, Scena seconda/Scene 2/Zweite Szene/Deuxième Scène: E allor perché, di', tu m'hai stregato (Silvio/Nedda) | Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 171 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | |
 | Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | |
 | Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | |
| Il valzer dell'organino | Leo Nucci, Salotto Ottocento Ensemble | F Major | 2 | 7B | 88 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records