Ram Mehar Randa, Sajjan Kumar, Sohani Sharma's ' "Bhai Mai Jhotha Banuga Part 7" was released on its scheduled release date, March 17, 2021. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ram Mehar Randa's "Haryana Ke Rande Driver" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Bhai Mai Jhotha Banuga Part 7 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Bhai Mai Jhotha Banuga Part 7 by Ram Mehar Randa, Sajjan Kumar, Sohani Sharma to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Love U Sisy Tapta ( Vol-3 ) | TAPTA | B♭ Minor | 6 | 3A | 96 BPM | ||
| Aakhri Do Bol Gori | Koshinder Khadana | F Minor | 7 | 4A | 146 BPM | ||
| Halaji Tara Haath Vakhanu | Pranlal Vyas | C Major | 7 | 8B | 128 BPM | ||
| Ganbai Mogara | Sakharabai Tekale | G Major | 7 | 9B | 100 BPM | ||
| Ganpati Majha Nachat Aala | Anand Shinde | F♯ Minor | 8 | 11A | 89 BPM | ||
| Chhori Taras Ke Part 5 | Ram Mehar Randa, Sajjan Kumar, Pasi Nayyar, Sunita Sharma | B Major | 5 | 1B | 99 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Maro Helo Suno Ji Ramapeer | Prakash Mali | A♭ Major | 8 | 4B | 110 BPM | ||
| Mohi Lelkhin Sajni Mor Manwa | Sharda Sinha | A♭ Major | 4 | 4B | 120 BPM | ||
| Paule Chalati Pandharichi Vaat | Mahesh Hiremath, Shubhangi Joshi | A♭ Major | 6 | 4B | 188 BPM | ||
| Bajre Da Sitta | Prakash Kaur, Surinder Kaur | E♭ Minor | 4 | 2A | 115 BPM | ||
| Bhaji Lene Narayan Nu Nam | NARAYANSWAMI | F Major | 4 | 7B | 143 BPM | ||
| Ek Tara Part 7 | Ram Mehar Randa, Sajjan Kumar, Krishna Sharma | A♭ Minor | 4 | 1A | 119 BPM | ||
| Saji Swami Ji Ku Rath | Vikram Kprawan | E♭ Major | 8 | 5B | 162 BPM | ||
| Maihar Wali Maiya | MANOJ TIWARI | C Major | 5 | 8B | 145 BPM | ||
| Ek Baat Puchlo Part 2 | Ram Mehar Randa, Sajjan Kumar, Krishna Sharma | D Major | 2 | 10B | 79 BPM | ||
| Dama Dum Mast | Abida Parveen | C Major | 9 | 8B | 109 BPM | ||
| Pappayo | Champa Methi | B♭ Major | 9 | 6B | 124 BPM | ||
| Bina Kare Mansh Ka | Kosinder, Rishipal | D♭ Major | 5 | 3B | 142 BPM | ||
| Shivji Parnva Aaviya Jai Bolo Marwadi Bhajan | Sant Gajaram | B Minor | 9 | 10A | 112 BPM | ||
| Bole Ni Papiha Bole | Satwant, Prabhsharan, Gurdarshan | C Major | 5 | 8B | 129 BPM | ||
| Bhol Bhanjara | Bhimsingh Rathod | B♭ Minor | 8 | 3A | 84 BPM | ||
| Tur Chali Jindriye | Amar Singh Chamkila | D Major | 7 | 10B | 163 BPM | ||
| Aavadte Belache Pan | Nagesh Morvekar | B Major | 7 | 1B | 115 BPM | ||
| GOGA JI । MATA KALI | Jai Goga Jaharveer Ji | E Minor | 5 | 9A | 139 BPM |