Ram Mehar Randa, Sajjan Kumar, Krishna Sharma's ' "Ek Tara Part 7" was released on its scheduled release date, March 17, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Rande Khilawe Chapar Faad Ke". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. In terms of popularity, Ek Tara Part 7 is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ek Tara Part 7 by Ram Mehar Randa, Sajjan Kumar, Krishna Sharma having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Behiya Ke Haar Na Paibue | Radhe Shyam Rasiya, Priyanka | B Minor | 5 | 10A | 113 BPM | ||
| Satguru Nanak Teri Lila Niari | Lal Chand Yamla Jatt | B Major | 4 | 1B | 118 BPM | ||
| Nakal Marke | Ram Mehar Randa, Narsi Yadav, Rajesh Thukral | D Major | 7 | 10B | 96 BPM | ||
| Phir Tun - Tun Toomba | Asa Singh Mastana, Surinder Kaur | E Major | 6 | 12B | 116 BPM | ||
| Bhol Bhanjara | Bhimsingh Rathod | B♭ Minor | 8 | 3A | 84 BPM | ||
| Mera Laung Gawacha | Noor Jehan | B♭ Minor | 8 | 3A | 153 BPM | ||
| Hoke Mayus Tere Dar Se | Mohammed Rafi, Aziz Nazan, Shankar Shambhu Qawwal, Ambar Kumar | B♭ Major | 8 | 6B | 80 BPM | ||
| Dudhacha Math Futla Kasa | Suryakant Shide | E Major | 8 | 12B | 62 BPM | ||
| Karuya Udo Udo Ambabaicha | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Malhari Majha Basun Ghodyavari | Vijay Sartape | G Minor | 9 | 6A | 97 BPM | ||
| Neek Rahal Mor Ghar Ke Kheti | Madan Rai | B Minor | 5 | 10A | 108 BPM | ||
| Mirza | Lakhbir Singh Lakkha | B♭ Minor | 6 | 3A | 190 BPM | ||
| Agla Sawal Part 5 | Ram Mehar Randa, Sajjan Kumar, Krishna Sharma | F♯ Minor | 6 | 11A | 98 BPM | ||
| Birkha Gairi Gairi Bhaya Ramniwas Rao | Ramniwas Rao | A Major | 9 | 11B | 117 BPM | ||
| Rang Debo Choliya Tohar | Vijay Lal Yadav | D♭ Major | 7 | 3B | 129 BPM | ||
| Liya Sass Chan Ka | Satpal Dosa, Manpal | E Major | 7 | 12B | 80 BPM | ||
| Nit Niyam Karo Patni Vrat Ka | Brijesh Shastri | C Major | 7 | 8B | 124 BPM | ||
| Jin Par Kirpa Ram Kare Vo Paththar Bhi Tir Jate Hain | Ravindra Jain | F♯ Minor | 6 | 11A | 155 BPM | ||
| Dila Kamla Na Hovain | Talib Hussain Dard | F Major | 5 | 7B | 118 BPM | ||
| Aao Maat Ji | Harbans Lal Bansi | B♭ Minor | 8 | 3A | 172 BPM | ||
| Jija Menea Ladea Bali | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | D Major | 5 | 10B | 142 BPM | ||
| Le Le 100 Ka Note - Hindi | Naresh Gurjar, Hari Ram Gurjar, Ranu Agarwal | G Major | 9 | 9B | 158 BPM | ||
| Mahakali Ka Khadag Nirala | Rajesh Mishra | F♯ Minor | 7 | 11A | 126 BPM | ||
| Jhoom Barabar Jhoom Sharabi | Aziz Nazan Qawwal | A Major | 6 | 11B | 153 BPM | ||
| Maa Aur Sunli Part 4 | Ram Mehar Randa | G Minor | 8 | 6A | 82 BPM |