On January 7, 2002, the song "Neek Rahal Mor Ghar Ke Kheti" was released by Madan Rai. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Piritiya Ke Khel". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Neek Rahal Mor Ghar Ke Kheti is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Neek Rahal Mor Ghar Ke Kheti by Madan Rai having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Chalalis Rama Tu | Anand Shinde | B Minor | 8 | 10A | 102 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Gauri Puju | Poonam Mishra | E Major | 6 | 12B | 180 BPM | ||
| Bandi Bulave Has Has Ke | Bijal Khan Mehar | D Major | 8 | 10B | 90 BPM | ||
| Teri Shaadi Pe Nikla Janaza | Attaullah Khan | D♭ Major | 6 | 3B | 99 BPM | ||
| Sunder Kand Ka Part Karo | Ranjeet Raja | B♭ Major | 9 | 6B | 130 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Aarji Karina Ke | Karina Pandey | F♯ Major | 5 | 2B | 144 BPM | ||
| Thara Mandir M Lagi Jaga Jyot Devi Mhari Jagdamba | Ashwin Yadav | B♭ Major | 10 | 6B | 145 BPM | ||
| Lawle Mohabbaat Ke Teblet | Sunil Chhaila Bihari, Tripti Shakya | D♭ Major | 8 | 3B | 135 BPM | ||
| Yaad Badi Tu Aavelu | Radhe Shyam Rasiya | A♭ Minor | 7 | 1A | 76 BPM | ||
| Dulha Bane Hai Shri Ram | Pandit Gaurangi Gauri Ji | G Major | 8 | 9B | 170 BPM | ||
| Lale Rang Sadiya Shobhe | Pandit Gaurangi Gauri Ji | F Minor | 8 | 4A | 133 BPM | ||
| Yara O Yara | Devi | C Major | 9 | 8B | 200 BPM | ||
| Saiya More Gawanwa Lihale Jala | Madan Rai | F♯ Major | 6 | 2B | 110 BPM | ||
| Holi Ayi Re | Harikrishna Patel | D♭ Minor | 5 | 12A | 73 BPM | ||
| Tame Kadiya Badiya Chhadiya | Hariprabodham | E♭ Minor | 6 | 2A | 77 BPM | ||
| Chhoir Debau Ohi Din Duniya | Sannu Kumar | E Minor | 8 | 9A | 85 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Mai To Ramta Jogida | Niranjan Pandya | F♯ Major | 8 | 2B | 137 BPM | ||
| O Beiman Re | Kukila Sarkar | D♭ Minor | 8 | 12A | 146 BPM | ||
| Babe Aali Mata | Ghulam Mohammad | F Major | 9 | 7B | 80 BPM | ||
| Khadi Hu Dar Mai Bhole Chadau Kya Tumhe Bhole | Chanchal Prajapati | D♭ Major | 9 | 3B | 120 BPM | ||
| Koyal Bin Bagiya Na Sohe Raja | Kumar Satyamm | E♭ Major | 8 | 5B | 148 BPM |