Anand Shinde's ' "Chalalis Rama Tu" was released on its scheduled release date, November 3, 2000. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 8 in Barister Saheb Maajh by Anand Shinde. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chalalis Rama Tu is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Chalalis Rama Tu by Anand Shinde is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laagta Bhula Gayilu | MANOJ TIWARI | F♯ Minor | 6 | 11A | 156 BPM | ||
| Waghya Sange Thekyavar Murali Nachati | Manoj Bhadakwad | B♭ Minor | 9 | 3A | 121 BPM | ||
| Hich Mala Aapli Vatali Jicha Nav Batali | Sajan Bendre | E♭ Minor | 8 | 2A | 150 BPM | ||
| Laakh Jyoti Ujkati | Anuradha Paudwal | E♭ Minor | 4 | 2A | 85 BPM | ||
| Mazya Saichi Ajab Kahani | Omkar Mahadik | B♭ Minor | 8 | 3A | 125 BPM | ||
| Apka pyar Baba yun hi barasata rahe | Brahma Kumaris | C Major | 4 | 8B | 126 BPM | ||
| Sai Baban Phone Kela | Omkar Mahadik | D♭ Major | 9 | 3B | 90 BPM | ||
| Rahtoy Thatat Kanifnathan Mul | Akash Shinde | D♭ Minor | 7 | 12A | 100 BPM | ||
| Rahijare Rahija | Arabinda Muduli | F Major | 9 | 7B | 82 BPM | ||
| Mazha Bhimacha Navan Kunku Lavila | Sushma Devi | D♭ Major | 5 | 3B | 169 BPM | ||
| Kanhwa Ke Tilak | Chandrani Mukherjee | F Major | 4 | 7B | 101 BPM | ||
| Kore Kagdacha Chhuna | Shakuntala Jadhav | E♭ Major | 4 | 5B | 217 BPM | ||
| Yamai Mothya Manachi | Popatrao Sonwane | A♭ Minor | 10 | 1A | 115 BPM | ||
| Kon Dakhavila Wat | Suresh Wadkar | A♭ Major | 6 | 4B | 96 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| Sharee Hanumanji Ki Arti | Atul Purohit | F♯ Minor | 6 | 11A | 95 BPM | ||
| Aya Hu Maie Banjara | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Pahu Jotiba Devala | Vijay Sartape | F♯ Major | 7 | 2B | 203 BPM | ||
| Naam Vitthal Vitthal Gheu | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Bandhu Galaa Galaa | Arabinda Muduli | B Minor | 9 | 10A | 175 BPM | ||
| Chalalis Rama Tu | Anand Shinde | B Minor | 8 | 10A | 102 BPM | ||
| Shelya Mendhyachi Rakhan Balumama Kari | Vijay Sartape | F♯ Major | 6 | 2B | 90 BPM | ||
| Sasura Se Rusali Teeriawa | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Payi Jayacha Hay | Omkar Mahadik | A♭ Minor | 8 | 1A | 80 BPM |