The Pulley (Orchestrated by Roderick Williams) by Ruth Gipps, Hallé, Sir Mark Elder, Roderick Williams Song Details

"The Pulley (Orchestrated by Roderick Williams)" by Ruth Gipps, Hallé, Sir Mark Elder, Roderick Williams had its release date on November 4, 2022. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 21 in A Shropshire Lad: English Songs Orchestrated by Roderick Williams by Hallé, Sir Mark Elder, Roderick Williams. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, The Pulley (Orchestrated by Roderick Williams) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Pulley (Orchestrated by Roderick Williams) by Ruth Gipps, Hallé, Sir Mark Elder, Roderick Williams is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -26.205 dB
Acousticness: 97%
Danceability: 19%
Energy: 5%
Instrumentalness: 2%
Liveness: 9%
Loudness: 56%
Speechiness: 4%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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D'un matin de printemps	Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic	C Major	1	8B	130 BPM
Symphony No. 2 in One Movement, Op. 30: VII. Moderato	Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales	B♭ Major	1	6B	72 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Daniel Harding, Bavarian Radio Symphony Orchestra	C Minor	2	5A	89 BPM
The Moon	William Lloyd Webber, English Chamber Orchestra, Julian Lloyd Webber	B♭ Major	1	6B	119 BPM
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Les soirs illuminés par l'ardeur du charbon, L.150 (Arr. by Colin Matthews)	Claude Debussy, Colin Matthews, Hallé, Sir Mark Elder	D♭ Major	0	3B	79 BPM
Suite from The Victorian Kitchen Garden: III. Mists	Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra	G Minor	0	6A	66 BPM
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Suite No. 1, "Orientale": I. Okenstamning: Adagio	Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi	B Minor	1	10A	61 BPM
Butterfly Lovers Violin Concerto: VI. Presto Resoluto	Chen Gang, Zhanhao He, Joshua Bell, Singapore Chinese Orchestra, Tsung Yeh	E Minor	2	9A	63 BPM
Grieg: The Last Spring, Op. 34, No. 2	Edvard Grieg, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	89 BPM
Pelléas et Mélisande Suite, Op. 80: II. Fileuse	Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	G Major	0	9B	88 BPM
Black Swan: Black Swan (after Brahms' 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major) [After Brahms' 6 Piano Pieces, Op. 118, No. 2. Intermezzo in A Major]	Bright Sheng, Seattle Symphony Orchestra, Gerard Schwarz	G Major	3	9B	80 BPM
Petite suite de concert, Op. 77: II. Demande et reponse	Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman	G Major	0	9B	90 BPM
On Hearing The First Cuckoo In Spring	Frederick Delius, Orchestra of the Welsh National Opera, Sir Charles Mackerras	G Major	0	9B	109 BPM
Fra Holbergs tid, Op. 40: V. Rigaudon (From Holberg's Time) [Version for Orchestra]	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	G Major	1	9B	134 BPM
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DANCE: III. in the middle of the fighting	Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop	A Minor	1	8A	82 BPM
Pantomime: Vivace	Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones	G Minor	2	6A	113 BPM