"Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live" by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus had its release date on January 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Friedemann Winklhofer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Seeliger, Leonard Bernstein's "Mozart: Great Mass in C minor K.427" album is number 3 out of 15. Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, K. 427 "Grosse Messe" (Version by Franz Beyer): Kyrie - Live by Wolfgang Amadeus Mozart, Arleen Auger, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vesperae solennes de Dominica, K. 321: I. Dixit | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | C Major | 2 | 8B | 116 BPM | ||
| Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
| Repentir (O Divine Redeemer), CG 434 | Charles Gounod, Kiri Te Kanawa, English Chamber Orchestra, Barry Rose | F Major | 0 | 7B | 69 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, Renée Fleming, Royal Philharmonic Orchestra, Andreas Delfs | F Major | 1 | 7B | 106 BPM | ||
| Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
| Messiah, HWV 56, Part I: No. 20, He Shall Feed His Flock Like a Shepherd | George Frideric Handel, London Symphony Orchestra, Sara Mingardo, Sir Colin Davis, Susan Gritton | B♭ Major | 1 | 6B | 88 BPM | ||
| Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
| Vêpres solennelles d'un confesseur : Laudate Dominum en ut majeur, K. 339 | Wolfgang Amadeus Mozart, Orchestre philharmonique de Budapest, Choeur des jeunesses musicales, Iván Fischer, Mária Zádori | B Major | 2 | 1B | 91 BPM | ||
| Oratorio de Noël, Op. 12: Trio. Tecum principium (Soprano, Tenor, Basso) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | G Major | 3 | 9B | 165 BPM | ||
| Heyr, himna smiður | Härlanda Chamber Choir, David Molin | F Minor | 1 | 4A | 71 BPM | ||
| Mozart: Requiem in D Minor, K. 626: IX. Domine Jesu Christe | Wolfgang Amadeus Mozart, Riccardo Muti, Frank Lopardo, James Morris, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Waltraud Meier, Berliner Philharmoniker | C Minor | 3 | 5A | 81 BPM | ||
| Magnificat: II. Shall I Rejoice (Version for Full Orchestra) | Taylor Scott Davis, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith | G Major | 1 | 9B | 69 BPM | ||
| Messiah, HWV 56, Pt. 1: No. 10, Recit. For Behold, Darkness Shall Cover the Earth (Bass) - No. 11, Aria. The People That Walked in Darkness Have Seen a Great Light (Bass) | George Frideric Handel, Gwynne Howell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 75 BPM | ||
| Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
| Agnus Dei: Agnus Dei (Alto) | Johann Sebastian Bach, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | B Minor | 0 | 10A | 86 BPM | ||
| Don Giovanni, Act Il, Commendatore Scene | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, John McCarthy, John Tomlinson, Richard Stilwell, Willard White | A Major | 3 | 11B | 81 BPM | ||
| String Quartet No.16 in F Major, Op. 135 - Version for String Orchestra: 3. Lento assai, cantante e tranquillo - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | D♭ Major | 0 | 3B | 91 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Zion hört die Wächter singen | Johann Sebastian Bach, Leipzig Thomaner Choir, Peter Schreier, Arleen Auger, Siegfried Lorenz, Hans-Joachim Rotzsch, Leipzig New Bach Collegium Musicum | E♭ Minor | 1 | 2A | 116 BPM | ||
| Pietà, Signore | Alessandro Stradella, Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler | D Minor | 1 | 7A | 91 BPM | ||
| Requiem In D Minor, K. 626: Sequence: II. Tuba Mirum | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Vladimir Ruso, Jaroslava Horska, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 94 BPM | ||
| Gloria in D Major, RV 589: 1. Gloria in excelsis Deo | Antonio Vivaldi, The English Concert Choir, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 126 BPM | ||
| Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
| Maria Wiegenlied, Op. 76, No. 52 | Max Reger, André Previn, Kathleen Battle, Frederica von Stade, Orchestra of St. Luke's | A♭ Major | 1 | 4B | 169 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 90 BPM |