On 1991, the song "Aao Re Aao" was released by Kosindra, Rishi Pal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal's "Hariyanvi Kissa Lav Kush" album is number 2 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Aao Re Aao is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Aao Re Aao by Kosindra, Rishi Pal to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Udd Jayega Ek Din Panchi | Anand Shinde | F♯ Major | 8 | 2B | 112 BPM | ||
| Pahuncha De Saiya Mayke Bundeli | Malti Singh Parmar, Deshraj Patairiya | E♭ Major | 8 | 5B | 80 BPM | ||
| Aavadte Belache Pan | Nagesh Morvekar | B Major | 7 | 1B | 115 BPM | ||
| Maro Helo Suno Ji Ramapeer | Prakash Mali | A♭ Major | 8 | 4B | 110 BPM | ||
| Arey Logo Tumhara Kya | Abida Parveen | F Minor | 8 | 4A | 110 BPM | ||
| Jode Di Kali | Rangle Sardar | F Minor | 5 | 4A | 111 BPM | ||
| Kaun Bigadega Jab Ram Sahara Hai | Rajeev Singh | E Minor | 7 | 9A | 175 BPM | ||
| Rakho Mori Laj Maiya Karila Wali | Jittu Khare, Laxmi Singh Thakur | F♯ Major | 8 | 2B | 90 BPM | ||
| Kue Pe Lugaiya Dhore | Tarun Baliyan | E♭ Major | 9 | 5B | 139 BPM | ||
| Mere Shyam Pyare | Gaurav Krishan Goswami, Shradhey Gaurav Krishna Goswami Ji | A♭ Major | 7 | 4B | 69 BPM | ||
| Noori Noori Aaj Sama Hai | Anis Nawab | F♯ Major | 6 | 2B | 113 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Khuke Koyali | Dukalu Yadav | F Major | 9 | 7B | 78 BPM | ||
| Mera Kad Sankat Kaatega | Narender Kaushik | B♭ Major | 8 | 6B | 134 BPM | ||
| Soti Uthke | Kosindra, Rishi Pal, Santhosh | D♭ Major | 7 | 3B | 128 BPM | ||
| Mewadi Re Raana | Gule Khan | C Major | 6 | 8B | 98 BPM | ||
| Bajarang Bala Japu Thari Mala | Pradeep Parul Ji | A Major | 8 | 11B | 107 BPM | ||
| Shiv Manat Nahin | Sharda Sinha | A♭ Minor | 8 | 1A | 86 BPM | ||
| Mere Ghar Ram Aaye Han | Jaysingh raja | B Major | 9 | 1B | 102 BPM | ||
| Gire Na Abhe Dudh Ke Daant | Deshraj Narvariya | F♯ Major | 10 | 2B | 128 BPM | ||
| Ghapat Maure Maur | Seema Kaushik | B♭ Minor | 9 | 3A | 136 BPM | ||
| Kaikai Ne Bole Bol Bharat Ke Suntan Bundeli | Deshraj Patairiya, Savita Yadav, Geeta Raj | F♯ Major | 5 | 2B | 82 BPM | ||
| Yalkot Yalkot Jai Malhar | SAI BODGESHWAR | D♭ Major | 8 | 3B | 147 BPM | ||
| Ab Kaise Hove Jag Me Jivno | Sant Bhajana Nand | A♭ Major | 9 | 4B | 87 BPM | ||
| Hanumat Nahi Aye Raingaye | Surjan chaitanya | D Major | 6 | 10B | 122 BPM |