On 1991, the song "Soti Uthke" was released by Kosindra, Rishi Pal, Santhosh. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kosindra, Rishi Pal, Santhosh's "Hariyanvi Kissa Seth Tara Chand" album is number 3 out of 20. On top of that, France appears to be the country where this track was created. Based on our statistics, Soti Uthke's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Soti Uthke by Kosindra, Rishi Pal, Santhosh to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dosto Kya Bataun Tumhe | Rais Anis Sabri | C Minor | 9 | 5A | 138 BPM | ||
| Manaau Ganpari Deva | Rajkumar Swami | F♯ Major | 6 | 2B | 81 BPM | ||
| Bhai Sonera | Sanu Khan | B♭ Major | 8 | 6B | 114 BPM | ||
| Pankh Jo Hote Main Udd Jati | Prakash Rutha | C Major | 10 | 8B | 89 BPM | ||
| Farmaies Wala Naat 2025 | Azmat Raza Bhagalpuri | D Major | 8 | 10B | 79 BPM | ||
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM | ||
| Deewano Thare Naam Ro | Shyam Paliwal | F Minor | 7 | 4A | 102 BPM | ||
| Manne Ho Gaya Tere Se Pyar | Tarun Baliyan | G Major | 9 | 9B | 80 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 3 | Ramniwas Rao | A♭ Major | 8 | 4B | 100 BPM | ||
| Khich Layi | Kosindra, Rishi Pal, Santhosh | G Major | 3 | 9B | 129 BPM | ||
| Shubh Din Aan Lage Sawan Ke Jhula Jhulat Jugal Kishore Bundeli | Chandra Bhushan Pathak | D♭ Major | 9 | 3B | 91 BPM | ||
| Aalha Ka Vivah Bhaag-2 | Surjan chaitanya | A♭ Major | 10 | 4B | 88 BPM | ||
| Gaon Runicha Me Ramdev Avtar | Shyam Paliwal | F♯ Minor | 8 | 11A | 107 BPM | ||
| Is Baba Ji | Kosindra, Rishi Pal | D Major | 8 | 10B | 144 BPM | ||
| Bajarang Bala Japu Thari Mala | Pradeep Parul Ji | A Major | 8 | 11B | 107 BPM | ||
| Pappayo | Champa Methi | B♭ Major | 9 | 6B | 124 BPM | ||
| Lave Hum Chaar Yaar Matware | Brijesh Kumar Shastri, Manjesh Shastri | A Major | 4 | 11B | 109 BPM | ||
| Krishan Dhore | Kosindra, Rishi Pal | D Minor | 6 | 7A | 132 BPM | ||
| Pardeshi Tei | Kosindra, Rishi Pal, Santhosh | F Major | 7 | 7B | 130 BPM | ||
| Ham Raton Ko Uth Uthkar | Prakash Rutha | D Minor | 5 | 7A | 142 BPM | ||
| Shyam Ka Jhula | Pramod Tripathi | B Major | 5 | 1B | 146 BPM | ||
| Raka Speni Khula Khumari Yam - Orignal | Sani Obaidullah | D♭ Major | 9 | 3B | 69 BPM | ||
| Lehari Anahad | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Balaji Tera Dhar Diya Laal Langot | Narender Kaushik | A Major | 9 | 11B | 146 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM |