Richard Lloyd's ' "Pretend" was released on its scheduled release date, 1979. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 10 in Alchemy by Richard Lloyd. Based on our statistics, Pretend's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Pretend by Richard Lloyd is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christe, Redemptor Omnium | Ivo Antognini, Desmond Earley, Declan Wildes, Katherine Hunka, Aoife Nic Athlaoich, The Choral Scholars of University College Dublin | G Major | 1 | 9B | 110 BPM | ||
| Guide Me, O Thou Great Redeemer | John Hughes, Malcolm Archer, William Williams, Peter Williams, The Choir of Magdalen College, Oxford, Mark Williams | G Major | 1 | 9B | 86 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| In Remembrance | Eleanor Daley, Atlanta Master Chorale | E Major | 1 | 12B | 107 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM | ||
| The Lily and the Rose | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 0 | 8A | 69 BPM | ||
| Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | B♭ Major | 0 | 6B | 83 BPM | ||
| O Where Shall Wisdom Be Found | William Boyce, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley | E♭ Major | 2 | 5B | 130 BPM | ||
| O Pray for the Peace of Jerusalem | John Blow, Salisbury Cathedral Choir, Richard Lloyd, Christopher Dearnley | A♭ Major | 1 | 4B | 75 BPM | ||
| Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
| Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | ||
| St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | ||
| Glory Be to Jesus (Arr. Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Michael Leighton Jones | F Major | 2 | 7B | 75 BPM | ||
| Black To White | Richard Lloyd | C Major | 8 | 8B | 112 BPM | ||
| O nata lux | Rhiannon Randle, Zurich Chamber Singers, Christian Erny | G Major | 1 | 9B | 132 BPM | ||
| Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A♭ Major | 3 | 4B | 107 BPM | ||
| Collegium Regale Service, Evensong: II. Nunc dimittis | Herbert Howells, Stephen Layton, Owain Park, Jamie Roberts, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 84 BPM | ||
| Bethlehem Down1 | Peter Warlock, Hereford Cathedral Choir, Richard Lloyd, Robert Green | D Minor | 1 | 7A | 112 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| God That Madest Earth and Heaven | The Choir of Trinity College, Melbourne, Michael Leighton Jones | G Major | 1 | 9B | 76 BPM | ||
| To Morning | Gabriel Jackson, William Blake, The Choir of Magdalen College, Oxford, Mark Williams | C Major | 2 | 8B | 109 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": IV. Sanctus | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 71 BPM | ||
| The Lord’s Prayer | James MacMillan, Cappella Nova, Alan Tavener | D Minor | 1 | 7A | 80 BPM | ||
| Requiem: Kyrie | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver | B♭ Minor | 1 | 3A | 63 BPM |