On October 8, 2022, the song "We Are One" was released by Avalon Infinity. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. We Are One's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Avalon Infinity's "Motionized Future Bass" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, We Are One's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of We Are One by Avalon Infinity to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Illuminate | Avalon Infinity, David Chappell | G Major | 1 | 9B | 98 BPM | ||
| Shinunoga Man | Ratuku | D Minor | 8 | 7A | 105 BPM | ||
| We Were Never Here | Loria | E♭ Minor | 6 | 2A | 157 BPM | ||
| Judgement | Perfect, so dystopian | C Minor | 2 | 5A | 100 BPM | ||
| Warborn | Florews | A Minor | 9 | 8A | 110 BPM | ||
| Theory of Everything | Bilan$ley | G Minor | 4 | 6A | 110 BPM | ||
| Dirty Diana - Instrumental Slowed | Fironn | F♯ Minor | 5 | 11A | 123 BPM | ||
| The Last Of Us (Epic Version) | Aaron Deophir | E Minor | 1 | 9A | 74 BPM | ||
| HABIBI! 2 - Ultra Slowed | Daciva, DJ R34 | E Minor | 7 | 9A | 128 BPM | ||
| Stranger Things 4 Theme x Running Up That Hill - Epic Orchestral Version | Krutikov Music | C Major | 5 | 8B | 94 BPM | ||
| After Hours - LateNight Version | YOiM KiNG | F♯ Minor | 5 | 11A | 100 BPM | ||
| The Future and the Past | Zoe Saldana | G Minor | 2 | 6A | 77 BPM | ||
| Love potions - Extended | afterlives | A♭ Major | 3 | 4B | 103 BPM | ||
| so unspoken | Oktano | A♭ Major | 1 | 4B | 91 BPM | ||
| Exiled Among Monsters | Frameshift Music, Alexandre Guiraud | E Major | 9 | 12B | 120 BPM | ||
| A Broken Soul | DJ RZK | D Minor | 6 | 7A | 117 BPM | ||
| Whispered Sanctum | edivieira | F Minor | 3 | 4A | 120 BPM | ||
| Brehen vs Bonehart | Matheo | B Minor | 6 | 10A | 80 BPM | ||
| Protean, Pt. 3: For What Is To Come | Berend Salverda | D Minor | 6 | 7A | 110 BPM | ||
| WILDFLOWER | Julian Macias | F♯ Minor | 4 | 11A | 98 BPM | ||
| Leman mı Şahika mı? | Ender Gündüzlü, Metin Arıgül, Can Sanıbelli | G Minor | 0 | 6A | 160 BPM | ||
| Love Melody | Ilan Hart | A Minor | 8 | 8A | 130 BPM | ||
| SOUND OF PEAS | SH3RSH3N | F Major | 2 | 7B | 84 BPM | ||
| Idea 22 - Piano Slowed & Reverb | Maxim Matusko | E Minor | 1 | 9A | 82 BPM | ||
| Stranger Things 4 | BadJason | C Minor | 5 | 5A | 109 BPM |