"Protean, Pt. 3: For What Is To Come" by Berend Salverda had its release date on October 6, 2025. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "Protean". In this album, this song's track order is #3. In terms of popularity, Protean, Pt. 3: For What Is To Come is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Protean, Pt. 3: For What Is To Come by Berend Salverda having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Expanse | Tonal Chaos Trailer Music | C Minor | 5 | 5A | 128 BPM | ||
| Eastern Fist | Evgeny Shchukin | D Major | 8 | 10B | 134 BPM | ||
| The End Is Near | Liubomyr Prask | A Minor | 5 | 8A | 89 BPM | ||
| Diaspora | Trailer Rebel | C Major | 4 | 8B | 152 BPM | ||
| Wrath of Bakarma | Apollon de Moura | G Major | 9 | 9B | 138 BPM | ||
| One Way Down | Mark Petrie, Vinay Kaushal | G Major | 6 | 9B | 100 BPM | ||
| Alta | Christoffer Moe Ditlevsen | F Major | 4 | 7B | 95 BPM | ||
| Leverage | Hannah Parrott | D♭ Major | 4 | 3B | 110 BPM | ||
| Intercept | Hampus Naeselius | F Major | 4 | 7B | 110 BPM | ||
| Protean, Pt. 3: For What Is To Come | Berend Salverda | D Minor | 6 | 7A | 110 BPM | ||
| Io | Future Heroes | G Minor | 5 | 6A | 90 BPM | ||
| Into The Dark | Soundridemusic | G Major | 4 | 9B | 120 BPM | ||
| Forever Lost | Tom Player | F♯ Minor | 5 | 11A | 83 BPM | ||
| Gravity | Mitchell Broom | A Minor | 5 | 8A | 114 BPM | ||
| A Tragic Fate | Brian Delgado | F♯ Major | 6 | 2B | 98 BPM | ||
| Il Tempio della Velocità | Stephen Baysted | D Minor | 5 | 7A | 135 BPM | ||
| Immediate Measures Activated | Yuki Hayashi | F♯ Major | 4 | 2B | 141 BPM | ||
| Impending Doom | Inon Zur | F Minor | 5 | 4A | 72 BPM | ||
| Eleventh Hour | David Chappell | D Major | 3 | 10B | 90 BPM | ||
| Come and Try | Andrew Hulshult | B♭ Minor | 7 | 3A | 105 BPM | ||
| Your Orders 2 | Volker Bertelmann | C Minor | 1 | 5A | 125 BPM | ||
| Moments | Hampus Naeselius | A♭ Minor | 5 | 1A | 170 BPM | ||
| Dark Crow | Generdyn | A Minor | 7 | 8A | 156 BPM | ||
| Sky Becomes Water | Ryan Amon, City of the Fallen | B♭ Minor | 7 | 3A | 105 BPM | ||
| Zenith | Suprhot | A Minor | 9 | 8A | 120 BPM |