"Alcidiane: Ritournelle et Recit Italien" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon had its release date on May 4, 1998. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Alcidiane: Ritournelle et Recit Italien's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 8 out of 35. In terms of popularity, Alcidiane: Ritournelle et Recit Italien is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Alcidiane: Ritournelle et Recit Italien by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | D Minor | 1 | 7A | 114 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Kapsberger: Libro primo di arie passeggiate: No. 3, Ultimi miei sospiri | Giovanni Girolamo Kapsberger, Guillemette Laurens, Luca Pianca | B Major | 0 | 1B | 88 BPM | ||
| Te Deum: IV. Pleni sunt caeli | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 4 | 3B | 96 BPM | ||
| Dido and Aeneas, Z. 626, Act III: No. 33, Recit. Your Counsel – No. 34, Recit. But Death, Alas! | Henry Purcell, Catherine Bott, Emma Kirkby, John Mark Ainsley, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
| Nulla in mundo pax, RV 630: I. Aria. Nulla in mundo pax | Antonio Vivaldi, Elly Ameling, English Chamber Orchestra, Jeffrey Tate, Vittorio Negri | E Major | 1 | 12B | 84 BPM | ||
| Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
| 3 Lecons de tenebres: Lecons de Tenebre: Troisieme Lecon | François Couperin, Robin Blaze, Daniel Taylor, Jonathan Manson, Laurence Cummings | G Major | 0 | 9B | 69 BPM | ||
| Dixit Dominus (Salmo 109), RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini, Gemma Bertagnolli, Roberta Invernizzi | D Major | 2 | 10B | 112 BPM | ||
| The Tempest, Z. 631, "The Enchanted Island": Neptune' Masque, Act V, No. 14 (Air) | Thomas Shadwell, Aradia Ensemble, Rosemarie van der Hooft, Gillian Keith, Meredith Hall, Nils Brown, Michael Colvin, Brett Polegato, Paul Grindlay, John Dryden, Henry Purcell | C Major | 2 | 8B | 175 BPM | ||
| Dido and Aeneas, Z. 626, Act I: No. 5, Recit. Whence Could So Much Virtue Spring? | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | ||
| Stabat Mater, P. 77: X. Alto. Fac, ut portem Christi mortem | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | A Major | 0 | 11B | 79 BPM | ||
| Sonata a tromba in D Major, TWV 44:1: III. Vivace | Georg Philipp Telemann, Isabelle Faust, Akademie für Alte Musik Berlin, Bernhard Forck, Ute Hartwich | D♭ Major | 3 | 3B | 141 BPM | ||
| Cantique Quatrième "sur le bonheur des justes & sur le malheur des resprouvez": II. De quelle douleur profonde | Michel Richard Delalande, Véronique Gens, Noemi Rime, Les Arts Florissants, William Christie | D♭ Minor | 0 | 12A | 67 BPM | ||
| Salve Regina, R.616 (Antiphona): 4. "Eja ergo" (Allegro) | Antonio Vivaldi, Andreas Scholl, Australian Brandenburg Orchestra, Paul Dyer | B Minor | 0 | 10A | 111 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
| Charpentier: Rentrez, trop indiscrets soupirs, H. 464 | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Adèle Eikenes | A♭ Minor | 0 | 1A | 178 BPM | ||
| Purcell : King Arthur : Act 2 "Come, follow me" [Soprano, Bass, Chorus] | William Christie | C Major | 1 | 8B | 75 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| The Gordion Knot Unty'd, Z. 597: Second Act Tune: Rondo Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | C Minor | 5 | 5A | 153 BPM | ||
| L'Orfeo, Atto quarto: III. O dolcissimi lumi | Claudio Monteverdi, Jordi Savall, Furio Zanasi, Arianna Savall, Francesc Garrigosa, Iván García, Le Concert Des Nations | G Minor | 1 | 6A | 108 BPM | ||
| Te Deum, H. 146: IX. "Fiat misericordia tua Domine" | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
| Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | ||
| Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
| Laudate pueri Dominum, RV 600: A solis ortu | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | B Major | 1 | 1B | 142 BPM |