"Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales"" by Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard had its release date on January 1, 1986. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #9. In terms of popularity, Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" by Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| L'Orfeo, Atto secondo: VII. Chi ne consola, ahi lassi? | Claudio Monteverdi, Jordi Savall, Gerd Türk, Carlos Mena, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 128 BPM | ||
| Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] | William Christie | E♭ Major | 1 | 5B | 134 BPM | ||
| Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
| Charpentier: Rentrez, trop indiscrets soupirs, H. 464 | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Adèle Eikenes | A♭ Minor | 0 | 1A | 178 BPM | ||
| Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
| Bach, JS: Mass in B Minor, BWV 232: Agnus Dei | Johann Sebastian Bach, Philippe Herreweghe, Charles Brett, Collegium Vocale Gent | F♯ Minor | 0 | 11A | 72 BPM | ||
| L'Orfeo, SV 318: Prologo - Dal mio permesso amato | Claudio Monteverdi, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | ||
| Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM | ||
| Miserere, ZWV 57: II. Miserere II | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | E♭ Major | 1 | 5B | 168 BPM | ||
| La castità al cimento: "Sparga il senso lascivo veleno" | Antonio Caldara, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Major | 5 | 1B | 134 BPM | ||
| Stabat Mater: 11. Inflammatus | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 109 BPM | ||
| Bach, JS: Magnificat in D Major, BWV 243: VI. Duet. "Et misericordia" | Johann Sebastian Bach, Emmanuelle Haïm, Toby Spence, Le Concert d'Astrée | F♯ Minor | 4 | 11A | 132 BPM | ||
| Magnificat in B flat major: Suscepit Israel | Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock | B Major | 0 | 1B | 105 BPM | ||
| Semele, HWV 58 / Act 1: Avert These Omens | George Frideric Handel, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | G Major | 1 | 9B | 63 BPM | ||
| Chants d'Auvergne: 2. Bailero | Joseph Canteloube, Kiri Te Kanawa, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 69 BPM | ||
| Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
| Semele, HWV 58, Act II Scene 3: Lay Your Doubts and Fears Aside | George Frideric Handel, John Aler, English Chamber Orchestra, John Nelson | A Major | 2 | 11B | 120 BPM | ||
| Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
| Salve Regina in F Minor, P. 78 (Alto Version of C Minor, P. 79): I. Salve Regina | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | A Minor | 1 | 8A | 93 BPM | ||
| The Fairy Queen, Z. 629: Act III: Song And Chorus | The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell | F♯ Minor | 2 | 11A | 95 BPM | ||
| L'Orfeo, Atto secondo: VI. Ahi, caso acerbo! | Claudio Monteverdi, Jordi Savall, Sara Mingardo, La Capella Reial De Catalunya, Le Concert Des Nations | D Minor | 1 | 7A | 137 BPM | ||
| Symphony of Saints: IV. Saint Cuthbert - the Pious | Martin Romberg, Joanne Lunn, Orchestra of the Swan, Andrew Griffiths | B Major | 2 | 1B | 96 BPM | ||
| Pomone / Act 1: Passons nos jours dans ces vergers | Robert Cambert, Céline Scheen, Goedele Heidbüchel, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 99 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 1: Duet. "If Not for Mine, for Empire's Sake" (Aeneas, Belinda) | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée, Camilla Tilling, Ian Bostridge | B Major | 2 | 1B | 120 BPM | ||
| Purcell: The Fairy Queen, Z. 629, Act III: If Love's a Sweet Passion | Henry Purcell, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Huw Montague Rendall, Jess Dandy, Laurence Kilsby | F♯ Major | 1 | 2B | 77 BPM |