"Magnificat in B flat major: Suscepit Israel" by Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock had its release date on August 16, 1996. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Magnificat in B flat major: Suscepit Israel's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Magnificat in B flat major: Suscepit Israel is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Magnificat in B flat major: Suscepit Israel by Francesco Durante, Hermann Oswald, Ekkehard Abele, Thomas Hengelbrock is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat (Formerly Attrib. Pergolesi): Et misericordia | Francesco Durante, Elizabeth Vaughan, Janet Baker, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | G Minor | 1 | 6A | 116 BPM | ||
| Gloria in D Major, RV 589: Domine Deus, Agnus Dei | Antonio Vivaldi, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas Ward | D Minor | 0 | 7A | 102 BPM | ||
| Laudate pueri (detto il Grottesco) in G Major [arr. L. Oda] | Francesco Durante, Monica Piccinini, Ursula Eittinger, Alberto ter Doest, Thilo Dahlmann, Orchester der Kölner Akademie, Michael Alexander Willens | F♯ Major | 2 | 2B | 93 BPM | ||
| Durch sein Erkenntnis, JLB 15: I. Durch sein Erkenntnis | Johann Ludwig Bach, Sebastian Myrus, Capella Sollertia, Johanna Soller | A♭ Major | 2 | 4B | 104 BPM | ||
| Vergin, tutto amor | Francesco Durante, Margiono Quintet | C Minor | 0 | 5A | 83 BPM | ||
| Credo in F Major: II. Crucifixus | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 94 BPM | ||
| Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 9. Chor. Sicut erat in principio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 98 BPM | ||
| Magnificat a 4 in C Minor (Arr. N. Heine) | Francesco Durante, Roberta Mameli, Ursula Eittinger, Andreas Post, Stephan MacLeod, Orchester der Kölner Akademie, Michael Alexander Willens | B Minor | 1 | 10A | 139 BPM | ||
| Couperin, F: Troisième leçon de ténèbres pour le Mercredi saint: II. Caph | François Couperin, William Christie, Patricia Petibon, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
| Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnès Mellon | E♭ Major | 3 | 5B | 101 BPM | ||
| Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
| Laudate pueri Dominum, RV 600: Excelsus super omnes gentes | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | D♭ Minor | 0 | 12A | 99 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 8. Chor. Gloria Patri et Filio | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 139 BPM | ||
| Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
| Bleib bei uns, denn es will Abend werden, BWV 6: Chorale. Ach bleib bei uns, Herr Jesu Christ (Soprano) | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Minor | 0 | 11A | 102 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
| Infirmata, vulnerata: I. Infirmata, vulnerata | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Christ lag in Todesbanden, BWV 4: III. Versus 2. Den Tod niemand zwingen kunnt | Johann Sebastian Bach, Sébastien Daucé, Ensemble Correspondances | F♯ Major | 2 | 2B | 95 BPM | ||
| Requiem in F Major: Dies Irae: Dies irae | Antonio Lotti, Thomas Hengelbrock | B Minor | 1 | 10A | 85 BPM | ||
| Assumpta Est Maria, H. 11: II. Kyrie I | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Minor | 1 | 12A | 104 BPM | ||
| Missa brevis in D Major, K. 194: II. Gloria | Wolfgang Amadeus Mozart, Collegium Classicum Köln, Hilke Helling, Klaus Mertens, Klaus Schneider, Kölner Kammerchor, Maria Zedelius, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
| Jam sole clarior: III. Inter undas fluctuantes | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Messiah, HWV 56: Part 1: O thou that tellest good tidings to Zion (Air) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 76 BPM | ||
| Credo, RV 591: 3. Crucifixus | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM |